A Quote by Dionne Bromfield
I write a lot about other people, like family and friends. I look at their lives and relationships and think, 'Well, if I was in your position, this is how I would see it.'
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When I think about [characters], I like to think of them in their relationships to each other. In the same way, I think that's how humans are ultimately defined. We are our relationships to one another. And a lot of what's interesting about us happens in the context of other people.
I write on scraps of paper. I do it every other day. I write about people's lives or how people look or my experiences. I'm very detailed - it's like a script.
I put a lot of emphasis on how to treat people. The reason for this is simple. The real success of our personal lives and careers can best be measured by the relationships we have with the people most dear to us - our family, friends, and coworkers. If we fail in this aspect of our lives, no matter how vast our worldly possessions or how high on the corporate ladder we climb, we will have achieved very little.
I follow my instincts and I always think about what movie I would like to see. If I want to see it then I'm guessing that some other people might want to see it as well. I never try to think about what people will love or will like, because when you start to think for other people that's where you lose track of the real motivation.
I am a first-generation Chinese-American; my husband is white. We have a little boy, so I think a lot about what it's like when people from different cultures and backgrounds start families, and how the world sees them. Most of my friends are in interracial relationships, and I just wonder what the world is going to look like for their children.
As clichéd as it sounds, relationships between women do shape so much of our understandings of ourselves, starting with our mothers. I think all women can relate to the feeling of having merged with best friends. We begin to look alike, talk alike, even take on the same mannerisms. They are as close as family. We give a lot of attention to the heterosexual, nuclear family, but our friends determine as much, I bet, of who we are, how we feel, and how we behave.
I'm friends with a lot of writers and so many of them say how much they hate signings and how they leave after a certain period of time. But what is so hard about sitting there while people tell you how much they love you? And if you don't like it, well, learn to like it. I try to take one person at a time. I never look down the line to see how many more people are left. And I always try to make people talk about something besides whatever they planned to say.
I think that were I in the middle of an obsession to write about, say, sudden oak death in California or my grandchildren or time and memory and how they look when you get to be in your sixties, and I thought, "Well, yes but people are dying every day in Baghdad," I wouldn't feel guilty about not writing about Baghdad if I didn't have any good ideas about how to write about it.
Imagine yourself at your funeral. Ask yourself what you want your family and friends to say about you. How will you be remembered and what impact will you have had on other people's lives? How did you make the world a better place?
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.
If people thought about food more like how we think about the environment, a lot of people would be eating differently and the whole system would look a lot different.
I think a lot of people are doing content well today. A lot of companies are coming into the space. It is growing faster than anything other than mobile. You can see why. You look at young people and you can see how many are consuming content on their phones.
And when I was young, my family was perfectly nice. I write a lot about it, as you noticed. But it was rather limited. I think, I don't think anyone in my family would really feel I'd done them an injustice by saying that. We didn't see many people. There were many books. It was as if I wanted to get away from home.
I'm really connected to people, and my relationships with people are paramount, so I write about relationships, particularly strong female ones. In my family, there were six girls born in five years. We were best friends. And my parents raised all of us as first-class citizens.
With friendship, it's hard sometimes - you don't outgrow your friends, but you do question how people are friends to you in different ways and how it's okay to cultivate other relationships outside of that.
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