A Quote by Dolly Parton

'9 to 5 the Musical' is perfect for anyone that's ever wanted to string up their boss, which is almost all of us. — © Dolly Parton
'9 to 5 the Musical' is perfect for anyone that's ever wanted to string up their boss, which is almost all of us.
I always thought that if I ever make my Bollywood debut it should be with a film which has a good story, which has emotions, romance. 'Bittoo Boss' is all that I ever dreamt of and is the perfect launch pad for me.
The person I enjoy working for more than anyone else is George Lucas. He's the best boss I ever had because he's the most talented boss I ever had.
It’s tempting to wish for the perfect boss, the perfect parent, or the perfect outfit. But maybe the best any of us can do is not to quit, play the hand we’ve been dealt, and accessorize what we’ve got.
God holds each of us by a string. When we sin, we cut the string. But God ties it up again, making a knot. Each time our wrongdoing cuts the string, God ties another knot drawing us up closer to Him.
You tell everyone or anyone that has ever doubted, thought they didn't measure up or wanted to quit - look up get up and don't ever give up.
After I retired and came off the road, I gathered up all my musical instruments and suddenly, I wanted them all to be perfect.
The beauty of string theory is the metaphor kind of really comes very close to the reality. The strings of string theory are vibrating the particles, vibrating the forces of nature into existence, those vibrations are sort of like musical notes. So string theory, if it's correct, would be playing out the score of the universe.
Really, every day is the perfect day to boss up. Every day that you wake up is a perfect day to boss up. It's all about continuing to put one foot in front of the next. That's what it's about. Whatever you think you're going through, just put one foot in front of the next.
All of us struggle to live up to the image that's drawn for us. Perfect body, perfect skin, perfect house - we are put in a frame with a picture that 'others' decide for us. If we work to live up to just that, when will we do what we like?
For life is a fire burning along a piece of string--or is it a fuse to a powder keg which we call God?--and the string is what we don't know, our Ignorance, and the trail of ash, which, if a gust of wind does not come, keeps the structure of the string, is History, man's Knowledge, but it is dead, and when the fire has burned up all the string, then man's Knowledge will be equal to God's Knowledge and there won't be any fire, which is Life. Or if the string leads to a powder keg, then there will be a terrific blast of fire, and even the trail of ash will be blown completely away.
Think of a musical as a string of pearls. If you don't have a string, you can't put the pearls around your neck.
It's no mystery why many of us in the media can't get enough of the fabricators Jayson Blair and Stephen Glass, the latter of whom concocted more than a score of bogus feature stories for the New Republic (and who wrote for other magazines, including this one, once) in the mid-1990s. Anyone--journalist, student, academic--who has ever stared at a blank screen, their brains grinding emptiness, and thought, How can I fill this hole? knows that in those desperate moments before a deadline, almost anyone can do almost anything: make stuff up, plagiarize, scribble senseless half-truths.
Free improvisation, in addition to being a highly skilled musical craft, is open to use by almost anyone-beginners, children, and non-musicians. The skill and intellect required is whatever is available. Its accessibility to the performer is, in fact, something which appears to offend both its supporters and detractors....And as regards method, the improvisor employs the oldest in music-making...Mankind's first musical performance couldn't have been anything other than a free improvisation.
The best theory comes from string theory, which states that dark matter is nothing but a higher vibration of the string. We are, in some sense, the lowest octave of a vibrating string.
I always hated watching bands: the guy would break a string or be out of tune, and I have perfect pitch, so it would always tick me off when a guy is up there, and he'd break a string.
Truth is, something that I thought was perfect was taken away from me, and I never wanted perfect again. I wanted middle of the road, stuff I didn’t care about so that I couldn’t lose anything I really loved ever again.
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