A Quote by Domhnall Gleeson
Look at Cillian Murphy: 'Batman,' 'Tron'... those are some heavy-hitting franchises. But he works his way around it. He manages to have a great career and a great life.
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I'd known plenty of people who'd worked with Cillian [Murphy], and he was one of those people I'd only heard good things about. It's pleasing when it works like this. As Cillian said, it's not always like that.
I was and still am a massive fan of [Murphy] Cillian's work - always have been. Obviously he's a great deal older than me, so I've sort of grew up watching Cillian's work. But I'm very much a fan.
Cillian Murphy is the guy who battled viral zombies in '28 Days Later' and put a gas-spewing bag over his head in 'Batman Begins'. With his pallor, cut-glass cheekbones and glazed blue eyes, he's right on the border between dreamboat and spooky freak.
Circumstances have rarely favored great men. A lowly beginning is no bar to a great career. The boy who works his way through college may have a hard time of it, but he will learn how to work his way in life, and will usually take higher rank in school and in after life than his classmate who is the son of a millionaire.
Nintendo has an enviable position of having the best franchises in this industry in terms of 'Mario' and 'Zelda' and 'Metroid' and 'Donkey Kong' and all of those great franchises. Together, those are a library that any developer would kill for.
Some great players, like Ted Williams and Stan Musial, had one more great hitting season left around the age of 40.
In a way, the great thing about Batman is that there are so many of him that you can usually find one you like. Often, it's the one that was current when you began following the character. But though you like the Batman of one decade, you may well despise (and not recognize the validity of) the Batman of some other decade. If you've been a fan of the character for forty years, you probably hate half of them.
To some degree, I don't think 'Batman' works in a completely modern city; I think Gotham has be reflective of his personality and those of his enemies.
Remarks such as 'great Australian', 'larger than life' are sometimes used where they are not appropriate. But in the case of Kerry Packer both of those descriptions are entirely appropriate. He was a great Australian, he was a larger than life character and in so many ways he left his mark on the Australian community over a very long career in business, particularly in the media and also that other great passion of his, Australian sport
If you look at my career... I couldn't possibly have chosen those subjects if I was thinking, 'That's a great commercial idea.' I'm not aware of a great musical where someone has done that.
Sweden is a great country. What is not so great is that we have a society that, in a way, says it's great if you don't look right, if you don't look left, if you just look straight forward.
One of the reasons Batman works as a character is that it's not beyond possibility that he could exist - you could become Batman if you had a billion dollars at your disposal. There's nothing paranormal or superhuman or supernatural about that character. And I think his villains work the same way. You could be one of his villains just as easily.
I sleep good because I have a great family and stuff like that, a great life, but career-wise, I have some things I need to accomplish.
Great works - and I think Star Wars is a great work - are easily susceptible to multiple plausible interpretations. Some of them are pretty nutty, but the idea that we should see it as profoundly feminist, or as a deeply Christian tale, or as a Freudian exercise... I think all of those have some truth.
In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. This affirmation lies in the way the author takes control of reality by retelling it in his own way, thus creating a new world. Every great work of art, I would declare pompously, is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life. The perfection and beauty of form rebels against the ugliness and shabbiness of the subject matter.
It may be a cliche, but cliche or not, I fear the day when the only marsh harriers or peregrines I can look at are in paintings by Joseph Wolf or Bruno Liljefors - and no matter how beautiful those works may be, life is the great thing: life, life, life.
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