A Quote by Dominic Balli
The really cool thing about reggae music is that I can get away with saying spiritual things as a reggae influenced artist that I couldn't get away with saying as a rock artist. Reggae has such spiritual roots and people almost expect to hear spiritual things.
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You have to be logical and use international words so people can relate to reggae music. I'm the inventor of the word reggae music. I'm the one who coined the word reggae. So, whatever I put out on my label - my label called D & F Music - it has to be positive.
Reggae music don't really focus on one thing, you know. If reggae music is speaking about the struggle of people, and the suffering, it don't mean black people. It mean people in general.
I have a satellite radio show called 'The Legends of Reggae.' It's a cool way to branch out and do other things. I'm paying respect to the legends of reggae.
My African heritage is a part of reggae music roots, and the concept is that the album, 'Revelation Part 1: The Root of Life' is a tribute to roots reggae music. The fruit is what blossoms into different colors and shades, but the root has to stand predominant.
My thing is to get people out of the stigma of what a reggae artist should be like.
I've always been into music. I used to DJ. I used to mix reggae and that. I used to be into reggae hard. Well first it was rap, then reggae, then rap again, then rap and reggae. But I was always DJing out my window for the whole estate. Everyone used to sit outside and all and listen. And I used to be running rhythms in that.
I feel good to know that they recognize the potential of reggae music. And they are exposing it to the world, letting the world hear how beautiful reggae music can be.
Reggae was always a passion of mine. I used to say in interviews that I would love to do a reggae album. But it consumed my life being a hip-hop artist and being Heavy D, which I'm happy and proud of.
Reggae is definitely a natural influence. Even living in Southern California, near the water, you get that reggae feel.
I do have very solid reggae roots based on the fact that I'm Jamaican, and so that is a part of myself; even if I never do all reggae, it has to come out in some way because that's who I am.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
As an artist, I feel that my father's biggest influence is me realizing that music has a purpose and it's not just for business and that music is spiritual. I get that from him that music is a spiritual thing.
Reggae is my heart since I was a kid. I love Reggae music.
I feel positive about what I do. And, whoever is doing reggae, they have to have positive words and no negativity. They have to be positive. Yes, if you call it reggae, and it is negative words, it is not reggae.
In New Orleans, people are still influenced by one another. You got these bands that play every week on Frenchmen Street, and on their breaks, they might go see the reggae band that's right next door. You might get the musicians from the reggae band to sit in with the brass musicians. Everyone is having fun.
In reggae I have a model of artistic excellence and possibility that is challenging and inspiring. The poem remains a demanding thing - an object to be understood and shaped into my own sense of self, the same is true of the play, the novel, the short story. Yet, for some reason, I approach these existing genres with the kind of confidence that the reggae artist approaches any song floating around out there.
