A Quote by Donald Miller
It's not what people do that scares me. It's what they hide. It's the secrets that keep us from bonding and create distrust. If we were more willing to accept each other's depravity we'd be more united, we'd be more honest. If you hide two things from me, I'll assume you're hiding a million. And I'll keep you at a distance. I'm not afraid of the evil in you. It's in me too.
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I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more
... I'm the fortieth-ugliest man in this bar. But so what! So what! What if someday she lets me kiss each one of her freckles again? She has like a million. But every one of them means something to me. Isn't this how people used to fall in love? I know we're living in Rubenstein's America, like you keep saying. But doesn't that just make us even more responsible for each other's fates? I mean, what if Eunice and I just said no to all this. To this bar. To this FACing. The two of us. What if we just went home and read books to each other?
Keep me rather in this cage, and feed me sparingly, if you dare. Anything that brings me closer to illness and the edge of death makes me more faithful. It is only when you make me suffer that I feel safe and secure. You should never have agreed to be a god for me if you were afraid to assume the duties of a god, and we know that they are not as tender as all that. You have already seen me cry. Now you must learn to relish my tears.
The inexplicable happens all the time. It makes more sense to simply accept things we observe but cannot understand. It is really more scientific to keep an open mind. Until we can understand and explain the things we now label miracles, let us accept them and try to create more of them.
One of the problems with industrialism is that it's based on the premise of more and more. It has to keep expanding to keep going. More and more television sets. More and more cars. More and more steel, and more and more pollution. We don't question whether we need any more or what we'll do with them. We just have to keep on making more and more if we are to keep going. Sooner or later it's going to collapse. ... Look what we have done already with the principle of more and more when it comes to nuclear weapons.
Gay people in general, I think, like telling secrets because we have to hide a huge secret for the first half of our lives. Why would we want to keep any more?
In dialogue scenes, my favorite moments are when people aren't talking because you can cut to the heart of the matter much more quickly, often with a look. People hide things in words. When you don't have words to hide things in, it becomes much more direct and much more immediate of a connection.
Hiding here, are you? That’s awkward.” “Why?” “Because I had intended to hide here myself.” “You may hide here with me, if you wish.
The more honest you can be, the less you have to hide... when I have nothing to hide, I have everything to give.
You can’t die, Vik. You’re a mechbot. (Syn) They can pull me apart and reprogram me. Trust me, that’s death. Now shush before they find us. Remember – hide, people, hide. (Vik)
The truth is, I'm a storyteller. And it scares me, because my training as an academic is that the more accessible you are and the more human you are, the less smart you are. It's a shame trigger for me to be honest.
To hide a passion totally (or even to hide, more simply, its excess) is inconceivable: not because the human subject is too weak, but because passion is in essence made to be seen: the hiding must be seen: I want you to know that I am hiding something from you, that is the active paradox I must resolve: at one and the same time it must be known and not known: I want you to know that I don't want to show my feelings: that is the message I address to the other.
I'm very determined and stubborn. There's a desire in me that makes me want to do more and more, and to do it right. Each one of us has a fire in our heart for something. It's our goal in life to find it and to keep it lit.
I really believe that, as an actor, you should be constantly studying other people, and celebrity had the absolute opposite effect on me. It made me want to hide - to run away and hide.
I want to drag you off and hide you away,” he whispered. “Why?” “I always knew you were beautiful, but now everyone else will too. I won’t be able to keep other boys away from you, and it’ll make me crazy.
It was Adam, but he was too late. He couldn’t love me anymore. He would be so angry with me. I had to hide. He didn’t love me so he might hurt me when he was angry. When he calmed down, that would hurt him. I didn’t want him hurting because of me. There was nowhere for a person to hide. So I wouldn’t be a person. My eyes fell on the shelves that lined the far back corner. A coyote could hide there.
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