A Quote by Donna Langley
Our job is to make films that are inherently global and can really stand up to the audience litmus test of, 'Is it worth getting in my car, spending the money, and going to the theater?'
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I think if you're going to a concert and spending $15 for a ticket for you and your girlfriend, then you're going to buy a T-shirt, and you end up spending close to $100 a night, what with gas in the car and anything else to get you in the spirit of things, I just think that people deserve their money's worth.
My music is - there's no litmus test, there's no political litmus test for listening to it - but I am never going to compromise one iota to satisfy with someone who's uncomfortable with the ideas I feel in my heart.
I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
My job is making money, helping other people make money. I am spending money, trying to make sure more people get rich, because you cannot spend a lot of money, right? So my job is spending money, helping others. This is a headache.
I didn't grow up with a lot of money, so my mom didn't have random money to buy me a car, and I didn't have money to have a car unless I worked, so I didn't get a car until I got my first job at 18.
In the theater we're like blue-collar workers: It's a physical job, you don't make a lot of money, and you're on the road all the time. It's worth it in that it's the best job in the world, but you have to negotiate living in cities that don't always accommodate you.
I want the audience to walk out of the theater feeling they got their money's worth. Every movie that I enjoy, I leave the theater with something to take with me.
The politicians in Washington are spending trillions of dollars of our money. When are Americans going to stand up and say enough is enough?
Going to the theater, spending tons of money, people are losing money doing that. I'm really interested in my kinds of movies being seen as many people as possible on a TV.
Every job has its downside. For example, being in a band the travel part of it - getting picked up from your house in a car, going to the airport, getting on a plane, going from the airplane to a van, then going from the van to a hotel.
Every job has its downside. For example, being in a band; the travel part of it - getting picked up from your house in a car, going to the airport, getting on a plane, going from the airplane to a van, then going from the van to a hotel.
The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
Their whole life depends on spending money, and now they’ve got none to spend. That’s our civilization and our education: bring up the masses to depend entirely on spending money, and then the money gives out.
I feel the audience has a right to know if some of the money they're spending is going to a certain cause, and reassuring them the money is going to where it's supposed to be going.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
I prefer the films that put their audience to sleep in the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks.
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