A Quote by Doris Kearns Goodwin
I think some people who go into public life, if they go in needing the applause of thousands, they're never going to work out successfully in the end, because they don't know who they are apart from the crowds.
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When you go through a long illness, certainly one of cancer, there's a certain release from it and relief that it has come to an end, because the suffering can be unbearable, as opposed to an abrupt stop to life when they go out the door and there's a loved one who never comes home because of some accident.
The public interest always surprises me. I come to work in these rooms with no windows. At night I go home. I just live my life. I guess I just don't think much about whether people are going to watch. Most of my friends don't know much about what I do, and we don't talk about it. I have a different life away from work. Which is fine, because my work can get pretty intense.
I never knew where I was going to end up when I started film. I didn't start film to be famous. Of course, it's a public medium, and of course we chose a public medium because we like people to pay attention to the work that we're doing. But I didn't know what I was going to end up.
I like going into places that you never know what you're going to find because you can go in with no ideas and leave with thousands.
My life has been charmed in the sense that I've met some extraordinary people. But at the end of the day, when you go home and you go to bed, and if you're on your own, you never think of yourself in that way. I'm sure not even people like Angelina Jolie think like that.
I really hope that I can be as good as some people think I can be. But I may never work again... and that's the reality of the film industry. So, it's nice but I wouldn't want to go into something feeing like I needed to prove that I was good enough to be there. Maybe in some ways, it makes me think: "Do you know what? Some people think I'm alright, so maybe I should go into a job thinking I'm not rubbish." But I don't really think about it.
Comedy crowds - we always want to come out and ask you, 'How you feeling?' We always say that, 'By a round of applause, how do you feel?' Right? 'By a round of applause, how you feeling?' It's the only place in the world that you judge how you're feeling by a round of applause... There's never like a car accident, people all over the ground, people running over - 'Ma'am! Ma'am! By a round of applause, how do you feel? By a round of applause - she's not clapping!
When people say, "Show your face, you're not ugly." I want to say, "I know. I'm not doing it because I think I'm ugly; I'm trying to have some control over my image. And I'm allowed to maintain some modicum of privacy. But also I'd like not to be picked apart or for people to observe when I put on ten pounds or I have a hair extension out of place." Most people don't have to be under that pressure, and I'd like to be one of them. I don't go on Twitter. Because when people say things like, I don't know, "I hope you get cancer and die," it hurts my feelings.
When you guys go into some kind of a deal, you know, are you going to do that development or not, are you going to do that renovation or not, you know, you look at the numbers. You try to figure out what's going to work and what's not going to work.
I have never felt so lonely as on a golf course in the midst of a championship with thousands of people around, especially when things began to go wrong and the crowds started wandering away.
Life is an adventure of passion, risk, danger, laughter, beauty, love; a burning curiosity to go with the action to see what it is all about, to go search for a pattern of meaning, to burn one's bridges because you're never going to go back anyway, and to live to the end.
Why don't we all just go crazy when we know were going to croak? Because the mind's a monkey. You put things in departments and you go ahead. You go on and plan for the future and assume that the future's going to work out okay. Yet we know that sooner or later we're all going to be eating worms, whether it's fifty years or sixty. It might be tomorrow. It might happen today.
In a way it costs thousands dollars before you could actually go out to put the show on because you'll need equipments, all the lights you know, and that's more just going out and playing you know.
You can't really get the full joy out of life unless you really go for it. You just have to go into it and stay under some kind of hope or illusion that it's going to work. But as you get older, or the more experiences you have, or whatever it is that tells you how this stuff works, you also know that if you go all the way into it, there's the risk of losing everything but you don't have a choice.
I try to stay friends with everybody because you might go back and work with somebody who you had a horrible experience with and it could be great the next time. You never know which way it's going to go, never say never.
There's a cave, we go inside of ourselves because we want to know more, and we turn this one corner and we go, Oh my god - I didn't know that was in here. We can never go back to the way we were. It's like a horrible car accident - you're never the same after that. It's something that you'll think about every day for the rest of your life.
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