A Quote by Dorothy L. Sayers
She reflected she must be completely besotted about Peter, if his laughter could hallow an aspidistra.
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She glanced up at him, and in that moment he pulled his wet shirt over his head. She forced her mind blank. Blank as a new sheet of paper, blank as a starless sky. He came to the fire and crouched before it. He rubbed the water from his bare arms and flicked it in the flames. She stared at the goose and sliced his drumstick carefully and thought of the blankest expression on the blankest face she could possibly imagine. It was a chilly evening; she thought about that. The goose would be delicious, they must eat as much of it as possible, they must not waste it; she thought about that.
She stared at Peter, and she realized that in that one moment, when she hadn't been thinking, she knew exactly what he'd felt as he moved through the school with his backpack and his guns. Every kid in this school played a role: jock, brain, beauty, freak. All Peter had done was what they all secretly dreamed of: be someone, even for just nineteen minutes, who nobody else was allowed to judge.
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
And then she realized that his presence was the wall, his presence was destroying her. Unless she could break out, she must die most fearfully, walled up in horror. And he was the wall. She must break down the wall. She must break him down before her, the awful obstruction of him who obstructed her life to the last. It must be done, or she must perish most horribly.
She was humbled, she was grieved; she repented, though she hardly knew of what. She became jealous of his esteem, when she could no longer hope to be benefited by it. She wanted to hear of him, when there seemed the least chance of gaining intelligence. She was convinced that she could have been happy with him, when it was no longer likely they should meet.
She stared at herself in the mirror. Her eyes were dark, almost black, filled with pain. She'd let someone do that to her. She'd known all along she felt things too deeply. She became attached. She didn't want a lover who could walk away from her, because she could never do that - love someone completely and survive intact if her left her.
She looked at him then, but his image blurred behind tears that swelled into her eyes. She must leave. She must leave this room, because she wanted to hit him, as she had sworn she never would do. She wanted to cause him pain for taking a place in her heart that she wouldn't have given him if she'd known the truth. "You lied to me," she said. She turned and ran from the room.
...fact was she knew more about them than she knew about herself, having never had the map to discover what she was like. Could she sing? (Was it nice to hear when she did?) Was she pretty? Was she a good friend? Could she have been a loving mother? A faithful wife? Have I got a sister and does she favor me? If my mother knew me would she like me? (140)
She also said she would give him a kiss if he liked, but Peter did not know what she meant, and he held out his hand expectantly.
She nodded... and was about to turn away. Then, as if she thought better of it, she reached out and grabbed his arm. "Jack." "Yes?" "I. . ." she faltered. She knew what she wanted to tell him, but she couldn't bring herself to say the words. It turned out she didn't have to. Jack put a hand to his heart and nodded. "I feel the same way about you.
As Lacy waited for her turn to speak on Peter's behalf, she thought back to the first time she realized she could hate her own child.
She liked his tears so much that she put out her beautiful finger and let them run over it. Her voice was so low that at first he could not make out what she said. Then he made it out. She was saying that she thought she could get well again if children believed in fairies.
My mother was a big influence; she was exceedingly chic, completely dressed in a completely different manner than I did. I was a child of the Depression, so she taught me all about accessories, and I always tell everybody she worships at the altar of the accessory.
Cassandra always hid when she read, though she never quite knew why. It was as if she couldn't shake the guilty suspicion that she was being lazy, that surrendering herself so completely to something so enjoyable must surely be wrong. But surrender she did. Let herself drop through the rabbit hole and into a tale of magic and mystery.
Sia is like no one else I've ever worked with. She comes completely from this non-logical but very emotional place. I could be wrong, but she doesn't really seem to analyse what she's writing. She doesn't really revise it, but goes with that first thing that comes out.
You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
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