A Quote by Doug Liman
I'm a character-driven director, and I tend to fall in love with the characters in my movies and TV shows.
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The instant that movies became described as character driven was the instant when characters stopped mattering in movies. In other words, the birth of the notion of the character-driven movie coincided with the birth of movies in which characters were incidental to the very activities in which they engaged.
The movies and TV shows I like to watch tend to put their characters in situations where they have to dig deeper.
For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven.
I love playing different characters, and I would love to be playing different characters in movies or TV shows, instead of continuing my career with the WWE.
Dan Harmon has this idea that characters on TV are allowed to talk about their favorite movies and TV shows and songs.
TV shows are great right now in America. I find myself - and I hate to admit it - but we watch more TV than we go to the movies. As a creative person, you want to be creative, you know? You don't want to constantly wait around - a lot of movies fall apart, or there's just not as much out there as there used to be. Or there are more actors. I don't know. But movie stars are doing TV. And when they're asked about it, they say they love it. Dustin Hoffman, Glenn Close. So it can't be that bad.
I think there's a fundamental distinction between character-driven movies that are just really lovely slice-of-life movies and character-driven movies that you remember 20 or 30 years later; the common denominator with the ones you remember is that they all have some really complicated emotional problem at their core.
In movies and TV, we tend to fall into tropes about how characters might get out of problems. But when you look at real life, you realize that there is a lot of drama of not being able to get out of the problems.
Well, honestly, the films I personally like to go see are smaller, more character-driven pieces, so that's why the movies I've made have been smaller, more character-driven movies.
I'm pretty much a character-driven film director and my movies are smaller. I don't do a lot of coverage. I use lots of master shots.
Number one, as an audience member, I tend to like violent movies and TV shows because it's not real.
I, as a fan of numerous TV shows and movies, know that people mess up. The characters that we love are not always going to act in the ways that we want them to. That's what makes them interesting.
I tend to write about towns because that's what I remember best. You can put a boundary on the number of characters you insert into a small town. I tend to create a lot of characters, so this is a sort of restraint on the character building I do for a novel.
When you're really young, you tend to fall in love with characters. If you start seeing the same type of character everywhere and realize that they don't look like you, or they don't speak like you, you start wanting to change who you are. That's something that I did when I was a young kid.
I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character and layer on many traits that are actually their own or their idea of what that character is.
Some TV shows are like really good novels in that there are enough episodes that you start to have your own feelings about how the characters should act. When the scriptwriters go slightly wrong, when they make the character make a left turn that he or she wouldn't do, you know enough about the characters to say, "No, that's not what she would do there. That's wrong." You can actually argue with a TV show in a way that you can't do as much with movie - you inhabit a TV show in the way you inhabit a novel.
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