A Quote by Doug Liman

TV is a safe place to develop real characters. — © Doug Liman
TV is a safe place to develop real characters.
Through film, I realized that was a safe place for me to play. It was a safe place for me to express myself and explore these things that I was afraid to explore in my real life.
I want to make sure that people with talents, who want to perform or to develop their act, know that the Peacock Theater exists and to reach out to us and know that there's a safe and fun place for them to develop their material.
My experience is at The Groundlings Theater, where we created different characters and did sketch comedy. And sometimes the characters were outrageous, but they always came from a real place. So even working there, we had to create characters from the people that we knew.
Every area had their own superstar. The TV was not national, it was localized. So you could develop in one place, or the next place and be a better star, go to the next place and be a superstar.
I've seen my family watch TV every day, and they develop a liking for various characters more and more with time. So, I think TV does bring a celeb closer to his fans. I feel I have come closer to people without losing my raw appeal.
How do you make sure that you stand your ground and you find your place in the world, even if that place is not the place everyone else tells you it's supposed to be? For me, TV is character-driven and those are the types of characters I want to watch.
True joy is the earnest which we have of heaven, it is the treasure of the soul, and therefore should be laid in a safe place, and nothing in this world is safe to place it in.
I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.
TV is designed to keep characters in place for years on end. The best example is 'M*A*S*H:' You have a three-year police action in Korea, and they stretched that out to eleven seasons. It was a great show, but when you think about it, a weird unreality overtakes a television series. You see the actors age, and yet the characters don't.
The thing I found in correlation with my studies as a history major was that experience taught me you have to figure out your background, where you come from, who you are, and what you want. All of that propelled me into following acting because I had to develop characters as well as develop characters' history which is most important.
Everyone needs a safe place in life, and pastors can be people's safe place.
There are characters in movies who I call 'film characters.' They don't exist in real life. They exist to play out a scenario. They can be in fantastic films, but they are not real characters; what happens to them is not lifelike.
I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.
Until you divest yourself of the notion that you are a collection of needs, an empty vessel that someone else must fill up, there will be no safe place to harbor yourself, no safe shore to reach. As long as you think mostly of getting, you will have nothing real to give.
I am certainly proud to add 'Korra' to the pantheon of TV characters, which is perpetually sorely lacking in multifaceted female characters who aren't sidekicks, subordinates or mere trophies for male characters.
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