A Quote by Doug Liman

It's kind of hard to work with Tom Cruise and not be aware that you're working with one of the biggest movie stars in the world. — © Doug Liman
It's kind of hard to work with Tom Cruise and not be aware that you're working with one of the biggest movie stars in the world.
I've made a career of being a contrarian. If I'm going to work with Tom Cruise, it's my instinct to be like, 'Well, I'm going to do the anti-Tom Cruise movie.'
I don't want to be Tom Cruise. I'm not after some movie blockbuster career. That's not the kind of work I'm interested in. And frankly, it's not the kind of work I'm ever going to get.
When you do a Tom Cruise movie, you don't do a Tom Cruise movie and ask a lot of questions.
Audiences in every medium are becoming far more savvy. No one goes to watch a Tom Cruise movie any more just because it's starring Tom Cruise.
The mainstream media is funded by pharmaceutical companies, so when you have the biggest movie star in the world at the time - Tom Cruise - coming out against anti-depressants and Ritalin... they still brutalize him.
Audiences in every medium are becoming far more savvy. No one goes to watch a Tom Cruise movie any more just because it's starring Tom Cruise. No one gives a toss. Concept is what makes actors raise their game. Everyone's on merit now.
There isn't a studio in the world that wouldn't burn half its soundstages to get a Tom Cruise movie.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
Jennifer to Beth: Ech. I don't like Tom Cruise. Beth to Jennifer: Me neither. But I usually like Tom Cruise movies. Jennifer to Beth: Me too... Huh, maybe I do like Tom Cruise. But I hate feeling pressured to find him attractive. I don't. Beth to Jennifer: Nobody does. It's a lie perpetuated by the American media. Tom Cruise and Julia Roberts. Jennifer to Beth: Men don't like Julia Roberts? Beth to Jennifer: Nope. Her teeth scare them. Jennifer to Beth: Good to know.
I love Tom Cruise. I've been a Tom Cruise fan for a long time.
I still get excited by working with big names. You have that initial moment of, 'Oh my goodness, I'm going to work with Tom Cruise!'
When you're working with movie stars, part of the deal is that, if they have something to say, you'd better listen. You don't have to absolutely listen and not talk, but there is another creative force at work, and to be successful working with movie stars, you have to bring that force to work for you. You have to find something that's comfortable for them, and at the same time, that's in the parameters of what you're trying to do yourself.
To trust other people to keep you safe, it's very difficult ... But when Tom Cruise is there, you just expect that he'll save you. I was like, "Tom. You're Tom Cruise. It's your job to save the day. And the day is me. You need to save it. If I panic, I expect you to be down there."
I think it's quite tough for people like Tom Cruise where you can never really get away from being Tom Cruise in something. You're so familiar to people and people know so much about your life.
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
There's a generation that doesn't care if Tom Cruise is at the top of the movie. They want authenticity.
This site uses cookies to ensure you get the best experience. More info...
Got it!