A Quote by Doug Liman

I went to USC film school, briefly, which is a very traditional film school. — © Doug Liman
I went to USC film school, briefly, which is a very traditional film school.
I never did theater. I was a theater major at USC my first year because I didn't get into the film school. I was biding my time, hoping to be accepted to film school, and I ended up transferring to UCLA my sophomore year.
At the time I left film school there wasn't a lot of hope for young film-makers. It was a calling card of film school to be quite slick and commercial, which might lead to getting some stuff on telly.
At USC, when I studied film scoring my first year, one of my first friends that I met was Ryan Coogler. He was in the directing program at USC. He became one of my best friends at school.
I went to school to be a psychiatrist. That's where I was going until I had a teacher-student conference with one of my teachers and there were film school pamphlets, and he said, "You don't belong here. Get out. Go to film school."
Oh my God, I love UCLA so much. Their film school is great because it's unstructured, so there's a freedom to fail in there and just tell your story, and everybody makes a film. It's so important to have that freedom in film school because that's what you're there for: to learn and make a film.
USC Film School always had a real sense of drama and lineage.
I'm starting at USC's film school for directing this month. I'll try to get a semester in at a time. I'll have to take time off for work throughout school, but it will be nice to get through a little bit.
Film is a very specific world in which I don't think you really need to go to film school.
My dream school was USC. So I was like, alright, I'm going to apply to USC, and If I don't get in - I'm dropping out of school, and I'm pursuing music. So I applied, and I got in. I was like alright, I'm at the number one communications school in the country, and that was my major.
I considered going to film school; I took a course in film and was very interested in filmmaking as well as film writing.
I just remember when I came out of film school - and I loved film school - that the industry was such a mystery. How to break in, and once you are in, how to make a film; that is such a large undertaking. There are thousands of pitfalls.
I took courses at USC in film editing and art direction and photography when I was still in high school.
If I wasn't a trader, I would probably be in the film business in some capacity and writing in some other form. I went to NYU Film School and London Film School.
Consequently, their school [film-school ] was the school of life, and it was very much reflected in their work.
I think you get out of film school what you put into it. If you don't care about making movies, film school will do you no good.
I loved American filmmakers when I was growing up. I didn't get to film school or anything. I was a very bad student. I just devoured film, but there was a point in my teens when I started to run a little film society.
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