I take real people and put them in extraordinary situations.
People say that soundstage sets never quite look like reality. But actually, they can. They can be as real as you want as long as you pay attention to the kind of detail that is given for free in a real place.
'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
It's a real pleasure to go to work when you're in the most extraordinary surroundings, and working with people who are young and interested and creatively keen.
Some of the funniest things are just situations in life that are funny. The way people interact. People describing their first kiss with someone, to me, is really funny. When someone goes into detail about each moment of that, I really find that enjoyable to listen to.
There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way. I like using science fiction to talk about subjects through the veneer of science fiction.
The truth is that we have to, as American citizens, stop thinking that this life that we're living, the things that we're dealing with, is some reality TV show. This is real life, real children, real situations.
You will never experience less reality than when you are watching a reality show. You're watching people who aren't actors, put into situations created by people who aren't writers and they're second guessing how they think you would like to see them behave if this were a real situation, which it's not. And you are passively observing this; watching an amateur production of nothing. It's like a photo of a drawing of a hologram.
I never wanted to make portraits - to photograph celebrities, beautiful people, beautiful landscapes, beautiful buildings, or people in distressing situations.... I have always been interested in everyman - average, ordinary people in everyday situations.
I'm interested in reality, and I'm interested in survival. I'm interested in people who aren't the lucky ones, who maybe have a tougher time surviving, and telling their story.
One of the differences between real documentaries and reality television, besides the artificial construct of reality television, is that the people who are recruited to be on those shows, and the people who are interested in going on those shows, basically want to be famous. Or maybe they can win a million dollars or something.
I'm interested in reality but I'm not interested in realism at all. I'm interested in the ways that I think people want to relate.
From here on out, I am only interested in what is real. Real people, real feelings, that's it. That's all I'm interested in.
The cinema should be human and be part of people's lives; it should focus on ordinary existences in sometimes extraordinary situations and places. That is what really motivates me.
There are many people who know nothing of a world in which we take the reality of the 'other' seriously. I'm running on that platform: other people in other countries are really, really real, and there has to be a way of presenting their reality that is not condescending to them or about our psycho-social needs.
I've always really liked theater. It fascinated me. You can create a reality and get people involved in that reality. It takes place in real time.