A Quote by Doug Liman
When you have films like 'Bourne' that succeed, not only does it beget sequels, but it begets people taking chances.
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Man begets, but land does not beget.
I would happily have done any of the 'Bourne Identity' sequels. There are good sequels, but I'm not good at making them.
Fear begets fear. Power begets power. I willed myself to beget power. And it wasn't long before I actually wasn't afraid.
Violence begets violence, and hate begets hate. Both hate and violence beget a society that harms, and makes impossible the healing necessary for us to reach our full potential.
I know it's not strictly sex that accounts for my straying the motive usually attributed to men. I think it's just too tempting to have two lives rather than one. Some people think that too much travel begets infidelity: Separation and opportunity test the bonds of love. I think it's more likely that people who hate to make choices to settle on one thing or another are attracted to travel. Travel doesn't beget a double life. The appeal of the double life begets travel.
If 'formulaic' is somebody who is unlikely to succeed starting down a process and succeeding - then isn't that what most films are about? And art films are about people who aren't likely to succeed and then don't succeed.
Most people know me at Pixar as the guy that doesn't like to do sequels or very reluctant to do sequels.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
I think true connectivity is something that is rare in sequels. I mean I love the first 'Die Hard' film; you won't find a bigger 'Die Hard' fan than me. But I feel like with the sequels, they're just taking that character and dropping him in different scenarios. There's no real connective tissue.
I've often found, as I did with 'Bourne,' where I was inspired by the events of Iran-Contra when I designed the CIA for the 'Bourne' franchise, that the reality of how things work is usually more compelling than the superficial, made-up version that Hollywood sometimes does.
The thing I do miss about the way some sequels were in the past was that each film felt like its own unique, complete tone. Now, sequels are tonal facsimiles of the ones before them, like a television series, whereas back in the past sequels would often be radically different from the ones before.
There are two types of genius; one which above all begets and wants to beget, and another which prefers being fertilized and giving birth.
As an artist, I am here to get involved in meaningful films. But that does not mean only films like 'Arabikkadha' should be made. If you give an overdose of such films, the subject will become jaded.
No one person is the author of a Bourne film. The truth is it's a coalition of people who share the same vision for Bourne and his world, and we... its remarkably collaborative and collective.
I really like Jason Blum a lot. We're friends, and while we make wildly disparate films, we share a philosophy about low-budget filmmaking, about taking chances on young filmmaking, taking risks and obliterating our salary so we can make something cheaply and if it wins everyone wins big.
To suggest that war can prevent war is a base play on words and a despicable form of warmongering. The objective of any who sincerely believe in peace clearly must be to exhaust every honorable recourse in the effort to save the peace. The world has had ample evidence that war begets only conditions that beget further war.
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