A Quote by Doug Liman
I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard.
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From when I was young, I wanted to be an action hero. I always dreamed about being an action star. So finally, I made it.
I wanted all things to seem to make some sense, So we could all be happy, yes, instead of tense. And I made up lies, so they all fit nice, and I made this sad world a paradise
As far as producing, once we started shooting, I soon realized where the critical decisions about the movies were really being made, and it wasn't on the set. They were being made in the production meetings. That's where producing a movie happens. And that's where I wanted to be. I didn't just want to be a piece, a pawn being played. I wanted to take part in the creative process, and that's how I sort of got introduced to the idea.
There's not one film that I've ever made that could get made today by a studio, not one - even 'A Few Good Men' because it's an adult courtroom drama, and studios do not make them any more. And so every movie that I make, have made and will make is always going be independently financed.
What happened on 'Mr. & Mrs. Smith,' I was given a big budget and given too many choices, and I made a lot of mistakes and missteps early on until I squandered all that extra money. But then, once my back was up against the wall, I made what I consider a really good movie.
I've made a lot of stupid action films. But when we made The Matrix, we saw that people wanted more than that.
Mazhar never wanted me to grow as an individual or as an artist. He always wanted me to be with the kids and be at home. During the very first year of marriage I realised I had made a huge mistake, but I decided to live by it and make it work. I tried to make it work for another 12 years.
There was a period that black film had no chance of making it in Hollywood. So, people just made the made the statements that they wanted to make. Whether it was a science fiction film or whatever, b/c they were just making movie for themselves. Then there was a period where people were creating projects as their Hollywood audition 'pieces'. I feel that today we are moving back to the era where we all have our own voices.
I made four comedies, and all did well, but I always wanted to do an action film. When I saw 'Singham,' I thought this was the right film. Many stopped me, saying, 'You are doing so well in comedy, why do you want to make this film?'
When God made the planet, he made the plants, he made the animals, he made the Sun and the Moon, and he made us, and we're all interconnected, and when we disregard, disrespect, or damage any part of it, we do violence against creation.
I wanted to be great. And I loved Nashville, so that made it easy. I loved the music business. It made it easy for me to stay and make a life here.
I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise.
When we made the original 'Dhoom,' we wanted to make a film that would not bore us and wanted it to be just a breezy cool film.
A big thing with the heart issue is you can't be up in here being stressed and having a lot of anxiety, so I had to do a lot of soul searching about how, 'Why do certain things make me upset?' and being more honest with myself. It's actually made my marriage awesome, it's made my friendships better.
Ninety percent of the time, you're going to hear no. It took me seven years to make 'Once Upon a Time... When We Were Colored.' Nobody wanted to see the movie made. I got the movie made.
It really has been a blessing because you can go and look at our other movies we've done in a studio system. We didn't get to make the movie that we wanted to make. We made the movie that someone else wanted us to make. That can be a little disheartening, a lot disheartening. While there have been struggles, it doesn't matter which table you're at because you're going to have obstacles, but I kind of like being able to make the movie that you want to make.
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