A Quote by Doug Liman
At the end of the day, the less money you have, the easier it is to make a movie.
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The reason that most British actors are better than most American actors in the end is that they don't make any money. At the very end of their lives, they get into a space movie and they make a lot of money, but until that happens, basically, they don't have bank accounts. They live from day to day.
I must say that I do wrestle with the amount of money I make, but at the end of the day what am I gonna say? I took less money so Rupert Murdoch could have more?
I know I'm going to lose friends, and I'm going to go on the road less traveled with less people. But at the end of the day, I'm not trying to make friends; I'm trying to make the most money possible.
I tell everybody on the first day of making a movie that if anyone's here to further their career, they should leave. I'm gonna make the movie in such a way that we won't have a career when this movie comes out. Because the people who hold the moneybags are not going to want to share any of that money with us to make the next movie!
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
The movie business is not about the money. Of course, you need money to make the movie. If you have a small budget, adapt yourself. Having $200 million dollars doesn't ensure that you're definitely going to make a good movie. There's so many examples that prove that.
You end up giving up half your salary every time you make a movie because you need the money to make the movie you have in your head.
At the end of the day, it's show business: you earn money to make money.
You see the music videos and the bling and the cars, but all of that goes home at the end of the shoot. They make nothing because there's less and less money in the music industry.
Movie-making is the process of turning money into light. All they have at the end of the day is images flickering on a wall.
Every day, human beings are worth less. That's the triumph of capitalism. The money gets made, and the fewer people we need to make that money.
I was never interested in money. I always looked down on it. But now that I have less money, I see that without money, you cannot do much. Everything in the end is about money.
Every day that a woman is making less money, that's less money she has in retirement.
It would be great to make a movie that had the style of a great '30s film or a movie of David's Lynch or some other director I love that could also make money, because that would say to the corporation, "Yes, you can make money and still do art." But it's tricky.
People imagine that missing a loved one works kind of like missing cigarettes,' he said. 'The first day is really hard but the next day is less hard and so forth, easier and easier the longer you go on. But instead it's like missing water. Every day, you notice the person's absence more.
When you raise the budget, you make creative compromises. The higher the budget goes, the more cuts in your movie happen. When people talk about how movies are watered down, that's a direct reflection of money and budget. The less money you spend; the more risks you can take. That doesn't mean it will be successful, but at least you can try different stuff. The higher your budget is, the less you can do that.
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