A Quote by Douglas Crockford

Generally, the craft of programming is the factoring of a set of requirements into a a set of functions and data structures. — © Douglas Crockford
Generally, the craft of programming is the factoring of a set of requirements into a a set of functions and data structures.
Data dominates. If you've chosen the right data structures and organized things well, the algorithms will almost always be self-evident. Data structures, not algorithms, are central to programming.
I do think that the days of gathering around a television set that functions merely as a television set, to receive a live broadcast of some networked programming, those days are probably numbered.
It is better to have 100 functions operate on one data structure than to have 10 functions operate on 10 data structures.
Are you quite sure that all those bells and whistles, all those wonderful facilities of your so called powerful programming languages, belong to the solution set rather than the problem set?
The difference between art and craft lies not in the tools you hold in your hands, but in the mental set that guides them. For the artisan, craft is an end in itself. For you, the artist, craft is the vehicle for expressing your vision. Craft is the visible edge of art.
People believe the best way to learn from the data is to have a hypothesis and then go check it, but the data is so complex that someone who is working with a data set will not know the most significant things to ask. That's a huge problem.
Every once in a while I'll find a new way of playing something, it will suggest itself. But generally speaking, there's a set sonic potential, and that's in concert with a set instrumental technique.
The square was finally cleared by armed carabineri with tears of laughter streaming down their faces. The event set a record for hilarious civic functions, smashing the previous record set when Baron Hans Neizant B ompzidaize was elected Landburgher of K oln in 1653.
The Communal Land Rights Bill then said, since there would be those collectives set up in terms of the other legislation, there was no need for them to set up other structures to deal with the land issues.
The second stream of material that is going to come out of this project is a programming environment and a set of programming tools where we really want to focus again on the needs of the newbie. This environment is going to have to be extremely user-friendly.
The data set of proxies of past climate used in Mann...for the estimation of temperature from 1400 to 1980 contains collation errors, unjustifiable truncation or extrapolation of source data, obsolete data, geographical location errors, incorrect calculation of principal components and other quality control defects.
Negotiation builds a team as well as a set of requirements.
Human physical structures and intellectual structures are generally studied in different ways. The assumption is that physical structures are genetically inherited and intellectual structures are learned. I think that this assumption is wrong. None of these structures is learned. They all grow; they grow in comparable ways; their ultimate forms are heavily dependent on genetic predispositions.
Generally I try to be on set as much as possible, especially during the early part of a season. I read all of the outlines and scripts and look at the auditions and the cuts for my other shows and give notes on all of that. There's a lot to do, but I enjoy nothing more than being on set because that's where the magic happens.
When we set out on the path, we always have a fairly clear idea of what we hope to find. Women are generally seeking their Soul Mate, and men looking for Power. Neither party is really interested in learning. They simply want to reach the thing they have set as their goal.
People treat citizens like they're some kind of unreliable source, but citizens are data. They are a data set.
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