A Quote by Douglas Murray

Audiences I speak to are often openly hostile, and I know my arguments might fall on deaf ears with 99% of the audience. — © Douglas Murray
Audiences I speak to are often openly hostile, and I know my arguments might fall on deaf ears with 99% of the audience.
Highly technical philosophical arguments of the sort many philosophers favor are absent here. That is because I have a prior problem to deal with. I have learned that arguments, no matter how watertight, often fall on deaf ears. I am myself the author of arguments that I consider rigorous and unanswerable but that are often not such much rebutted or even dismissed as simply ignored.
You know, I say in my lyrics, "Every word I write will be analyzed by somebody white." It's just that I know that this sh*t is just not gonna fall on deaf ears.
There are people who are born deaf and grow up deaf who don't speak at all, and some of them have told me that they resent a little bit that I do speak. But, you know, I have to be myself. I have to do what I'm comfortable doing.
All too often, when people don't know where they are, have jet lag, don't speak the language, and can't figure out the money or maintain intestinal regularity, they get hostile.
If you address yourself to an audience, you accept at the outset the basic premises that unite the audience. You put on the audience, repeating cliches familiar to it. But artists don't address themselves to audiences; they create audiences. The artist talks to himself out loud. If what he has to say is significant, others hear & are affected.
Even if nobody's singing, just when you talk, you're singing. I'll meet somebody and say, "Oh, I'm tone-deaf." I say, "You're not tone-deaf, because if you were tone-deaf you would speak like that. But you're 'Oh, I'm tone-deaf.' You already sang a song to me."
I am the voice of the voiceless; Through me the dumb shall speak. Till the deaf world's ears be made to hear. The wrongs of the wordless weak. And I am my brothers keeper, And I will fight his fights; And speak the words for beast and bird. Till the world shall set things right.
Moral justification is a powerful disengagement mechanism. Destructive conduct is made personally and socially acceptable by portraying it in the service of moral ends. This is why most appeals against violent means usually fall on deaf ears.
You read statistics all the time like, "13 million people are at risk because of the severe drought in East Africa," but I think those kinds of numbers fall on deaf ears - there's so much devastation in the world, that it's a bit overwhelming for people.
It is at programmes organised on the sidelines of temple festivals that you get to see raw audiences who will let you know immediately whether the act has clicked or not. It was those audiences who taught me how to strike a rapport with the audience.
I know a little bit about deaf culture because a friend of mine has been in the deaf culture for awhile. Over the course of 25 years, she and I have talked about many of the issues and concerns for deaf people and deaf culture.
Who would have guessed that the shots heard 'round the world 225 years ago would fall on deaf ears in a nation now more sympathetic to the gun-grabbing Redcoat than the gun-bearing rebel?
I was born deaf. I was raised in a hearing world and in a deaf world at the same time. I can't say that I like one better than I like the other. I like them both. I speak pretty well; I gesture. If I don't understand something, you know, pen and paper, texting. I use it all.
Truth is, people like buying things for $0.99 and $1.99 for their digital devices. We know that from iTunes. We know that from the app store, and now we know that from publishing.
I know what it's like to be growing up, called 'deaf and mute' and 'deaf and dumb.' They're words that are very degrading and demeaning to people who are deaf and hard of hearing. It's almost... it's almost libelous, if you want to say that.
In the olden days films used to become huge hits because of family audiences. But nowadays certain films cater to youth audience and once that is exploited then the film stops. and some films are for a mature audience. My aim is to satisfy all the sections of the audiences.
This site uses cookies to ensure you get the best experience. More info...
Got it!