A Quote by Douglas Trumbull
I got hooked on immersive cinema when I worked on '2001,' which was initially shown on these Cinerama screens, which were all 90 feet wide and deeply curved.
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In 2001 when 'Tum Bin' released we got 90 to 100 screens. India had around 1000 screens at that time.
When I worked on 2001 - which was my first feature film - I was deeply and permanently affected by the notion that a movie could be like a first-person experience.
Being a winger or a wide mid, I have to run continuously for 90 minutes, which not only takes endurance but also strength in my legs to be able to be explosive for 90 minutes. I think weight training has really allowed me to sustain for those 90 minutes.
When 'Pizza' released, I was a nobody. Initially, we managed to get only 100 screens. But, after its success, the producers of 'Naduvula Konjam Pakkatha Kaanom' got 150 screens and also released the film in the U.S. Now, distributors are keen to invest in my films because they feel I have face value.
I haven't got the kind of films from mainstream cinema which I would have wanted. But then mainstream cinema has a different bunch of people who are happy working with each other, which is fine.
I think "Avatar" is kind of a unique category where people are enjoying the unique theatrical experience even though they may have seen it on the small screen. They want to have that immersive, transportive experience. "2001: A Space Odyssey" played for three years at the Loews cinema in Toronto. I remember that. It just kept playing. People wanted to return to that experience. That may not be the best example because I think "2001" took 25 years to break even.
The court dramas shown in films and TV are often superficial. They should have a gripping storyline, which can keep the audience hooked.
How many times have you been watching an episode of 'South Park' and thought, 'I'd like to be able to watch this on my television while hooked into my mobile device, which is being controlled by my tablet device which is hooked into my oven, all while sitting in the refrigerator?'
The hardest part was getting the window net hooked back. I didn't think I was ever going to get it hooked. I finally got it hooked. If I'd known that I wouldn't have tried to hook it.
The tests which showed that this was the only rifle which had the markings which were shown on the bullets; the fact that a man was seen by several witnesses, not identified, but seen in the window with the general description of what he looked like.
Right after September 11, 2001, there weren't really any blogs in China, but there were a lot of Chinese chatrooms - and there were a lot of conversations in which Chinese netizens were saying things like, 'served them right.' That was definitely not the official Chinese government policy - which condemned the terrorists.
You know, when you've worked with somebody before and you've worked very deeply and dangerously then you start with the relaxation and the trust right away and that lets you go even deeper, which is a lovely thing.
The Cinema seems to have been invented to express the life of the subconscious, the roots of which penetrate poetry so deeply
When the first armies were formed, combat took courage, which women share equally with men, and strength, which we do not. But though I am only 4 feet 7 inches tall, with a gun in my hand I am the equal of a soldier who's 6 feet 7 - perhaps even at a slight advantage, as I make a smaller target.
I can't tell you how hard I worked the last year. In fact, I worked so hard that I know I can't maintain that same work level in 2001, so I've got to quit something.
The climbs up the Hand of Fatima, which is 2,000 feet, and Naga Parbat, which is just over 15,000 feet, were spectacular. The Hand of Fatima and the Kaga Tondo, in Mali, is a personal favourite of mine.
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