A Quote by Drea De Matteo
Well, I know from some of my own experience, and many of my friends' experiences, when going through that sort of program. The whole addiction game really forces you to focus on what brings you there and accept the only way out. So once you really put this focus on getting better and figuring out what your flaws are, that's what brings you back. I think she could've been more reckless and shown up earlier, but I wasn't really available to come back.
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If you go back many years ago, you could cruise around and build up a big point lead. You cannot cruise around at all. You gotta be on it. And that's what I think people really enjoy. I've always believed that brings out the biggest moments, too. It brings out the driver talent.
I have friends who are capable of writing a very rough draft and then going back and embroidering - they're sort of the cathedral builders of fiction. I never really know what I'm doing, and all my pleasure's on the level of the line. It's a weird way to move forward. It's kind of like a way to caterpillar your way through these great woods. The best ones, whatever I feel like I'm writing about, some other secret thing will begin to come into focus.
Sometimes, when I walk out onto the track I think, 'What am I doing here? Why do I put myself through this?' But that's when you really get into your focus ... you focus on the race you are going to run.
I think the only way that the U.S. human spaceflight program is going to get really revitalized, really put sort of an Apollo level push on it, is if some other country, perhaps China, were to actually have a landed flight to the moon and brought back our American flag and put it in Tiananmen Square.
You don't have to be a Brad Pitt look-alike hero just to be courageous and help out your friends and come through when it really matters. I think everyone can sort of relate to that in some way, particularly back to people's school days.
I think a much better use of time and resources is to really focus on your existing users or customers and figure out what changes can you make in the Web site, the service, the product, whatever, to get them to come back more often to generate that repeat business and once you kind of figure out that formula, then when you get new customers the whole thing just kind of grows exponentially.
Cinema and theater - it's apples and oranges. You can't really beat movies. Yeah, when you're on an Oliver Stone set everybody brings their A game. Everybody brings their A game, from the top to the bottom and in between. In terms of theater you know there is no way to really duplicate that rush you get when you take an audience that is live and right there in front of you through the journey of a great play and you go through these emotions so that they can experience them without having to go through them themselves.
I think the critical point, really, is that we need to focus black economic empowerment more on the creation of new wealth rather than on these big deals that have been characteristic of this process in the past, of people going to banks, borrowing a lot of money, buying this and when the shares don't perform very well, the shares go back to the banks, because there's other people who own this anyway. I think we need to re-focus it so that it really does impact on growth, new investment, new employment and a general, better spread of wealth in South Africa.
Britney's a really cool girl, We were really close back when we were on the Mickey Mouse Club, and even watching her in interviews I find myself missing her lately. I'm really proud of her, how far she's come and what she's been able to accomplish. And to keep it together: It's so crazy out on the road. I gotta give her credit for not just going berserk and letting everybody get to her. I just passed on my number to her through somebody. It's good to have friends in the business who know what you're going through.
I was a pretty hyperactive kid, kind of ADD. I couldn't really stay sitting in my chair, so my kindergarten teacher would have me standing at the back of the room, because I couldn't sit for more than five minutes. My mom needed some positive way to focus my energy and I said I wanted to be an actor, so she was like, "Well, we'll roll with it and see how you respond to it," and I loved it. It was something I could instantly focus my attention to.
If you have a friend, what's the best way you can experience her beauty? It's to really accept her. She's weird in this way, I accept it. She's hard to talk to, I accept it. Then that person eventually will come all the way out into the sun. I think it's the same way with our talent. We say, "Look, I'm not going to judge you. I'm going to try to use you in the very best way."
Nobody else can really begin to sort out for you what to accept and what to reject in terms of what wakes you up and what makes you fall asleep. No one else can really sort out for you what to accept - what opens up your world - and what to reject - what seems to keep you going round and round in some kind of repetitive misery.
When I'm improvising, I'm out of my head. I've done a lot of projects recently where there hasn't been a script. It's all been based on outlines. At first, that's terrifying, just because you don't have the words in front of you and you don't know how it's going to come out, but that's what's really exciting about it. You don't know what's going to happen. It really forces you to listen to the other people, and I think the most natural acting comes out of that.
It's more going back into, I've always been really interested in the MKULTRA program and some of the programs and the fact that we really tried to create an actual, I guess you could call it an energy force of yourself. And you know, there were test subjects that were killed during the process. It have a huge ordeal, this huge congressional hearing that shut the whole thing down.
There is really only one way to deal with Misery. Accept her presence. Like most experiences in life, we must acknowledge the passage gracefully and let her move through our lives because she brings with her a hidden gift.
The best protection against propaganda of any sort is the recognition of it for what it is. Only hidden and undetected oratory is really insidious. What reaches the heart without going through the mind is likely to bounce back and put the mind out of business. Propaganda taken in that way is like a drug you do not know you are swallowing. The effect is mysterious; you do not know afterwards why you feel or think the way you do.
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