A Quote by Drew Daywalt

I used to run with Chris Nolan before he was 'Chris Nolan.' I remember when he was trying to sell 'Memento,' and he just couldn't. — © Drew Daywalt
I used to run with Chris Nolan before he was 'Chris Nolan.' I remember when he was trying to sell 'Memento,' and he just couldn't.
I think that I'm a pretty great producer, but the vision behind Batman is Chris Nolan. I'm there to do my best to help execute that vision, and I think I do a really good job, but the vision is Chris Nolan.
Just watching Chris Nolan direct was amazing. He is one of the most lovely people, which as you know doesn't always go hand-in-hand with great directors. But with Christopher Nolan, and there's only a few I think like him in Hollywood, that's absolutely true.
When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.
I was a screenwriting major at Georgetown, and I was in class with some really strong writers like Jonathan Nolan, who co-wrote 'The Dark Knight' with Chris, his brother. He wrote 'The Prestige,' the story for 'Memento.'
I remember when we were doing "Batman Begins" and to watch Chris Nolan go from "Memento" to "Batman" and take that leap from such a smaller size to a big movie, that's inspiring. But those movies are their own type of art and you have to really understand it and really know that world and I would have to take a long time to figure that out.Because my brain doesn't naturally go there.
When Chris Nolan is your director you are like, "I trust that, I'm wrong."
Any time Chris Nolan wants to call me for advice, he can.
I really hope that I get to work with Chris [Nolan] some day.
I would have played street cop number three if it meant getting to work with Chris Nolan.
People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.
And I think that if something doesn't make sense, forcing yourself to understand it from [Chris Nolan's] perspective makes you better.
Chris [ Nolan] and I have a strange way of working from the non-movie process, where after all these conversations and reading the script and more conversations, Chris went out and shot the films and the first thing he did, he wouldn't show it to me until I had written the music - not out of meanness, or anything, it just sort of seemed an interesting idea to see if there was some synchronicity and letting me use my imagination to the fullest instead of being constricted by cuts and images.
Chris Nolan is great, but I've never seen any of the 'Batman' movies all the way through. I know they're good. I just have zero interest in those kinds of movies.
Each director is different. Clint Eastwood and Chris Nolan are completely different, and I need to adjust to the story and character and the director and just my duty as an actor.
Chris Nolan went through Slamdance a year and a half after us, and he went on to direct 'The Dark Knight.' So the joke now is if you want to make superhero movies, that's where you have to go.
I had to leave my three-year acting course at Guildhall a little early to start filming Chris Nolan's 'Dunkirk.' It was an absolute dream come true.
This site uses cookies to ensure you get the best experience. More info...
Got it!