A Quote by Drew Goddard
Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.
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Every project has to stand on its own. It's a different identity within each project, and I feel like that's the way it should be.
I'm always learning from experiences because each one is different and there are different players involved in the project at the time with their own way of doing things.
I'm always learning from experiences because each one is different and there are different players involved in the project at the time with their own way of doing things
Each one is different. Each project is different. Some are silly, some are not. Some are more realistic, some are not. Some are overly dramatic, some are not. You've just got to try and find the thing that's most engaging and entertaining in whatever way, shape or form, and it's different every time.
I always imagined that I would learn something each time that I would take to a new project, then I realized that each new project poses a completely different challenge.
Well every moment, every project is different. I took a very slow approach to acting, trying to really work with people I could learn from. And I got something different out of each experience.
The through line of the way I like to work, what makes me different, and what I like to do for every project - although they are completely different from each other - is I like to do a lot of research and create a unique landscape and unique soundscape for each movie.
What's interesting in scripted TV is different than what's interesting in reality TV. Each of their departments have their development process where they package things and put together the writers and put together the producers and the different elements and develop the projects. By the time you get to a network or to a studio, you're able to say this is the project, here's who the producer is, sometimes even here's who the star is, here's who the writer is. It's a well-developed project by the time it gets to the studios.
Every single project deserves a different approach.
I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
I have to say that I approach every project with the same energy. I also think that, since I started producing, I see the process from a different perspective, which affects the way I jump on board immediately.
I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style. I have worked on big movies and small movies and network TV. I have had amazing experiences in each environment, and awful ones - more good than bad, though.
The thing I love about being a novelist is that with each project, you invent a new world. You approach it with a different set of aesthetic and structural ideas, and you grapple with a different series of problems in figuring out how to tell the story. And yet there are certain concerns that stay constant.
I approach each project with a new insecurity, almost like the first project I ever did, and I get the sweats, I go in and start working, I'm not sure where I'm going.
Each championship has felt different in its own way, I guess because I've been in different place of my life; I've gone through different things.
I'm strictly a one-project-at-a-time kind of guy. If I came up with a compelling idea for a different book while working on a project, I'd probably abandon the first project and go with the new idea.
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