A Quote by Drew Goddard
Like everyone else, I love 'Born Again:' that was a seminal work for me. Everything Frank Miller did on 'Daredevil' is like the Bible.
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'Daredevil' is haunted by Frank Miller, from the standpoint of the Frank Miller run on 'Daredevil' is so insurmountable.
The important information you need at the beginning of an issue. Like way they did the old Frank Miller Daredevil issues in the first five pages he always had to state his origins and how he got his powers.
It was weird. Like, people came up to me and knew me as Daredevil before any footage had come out. I remember a guy on the subway being like, 'You're Charlie Cox. You're Daredevil.' And I was like, 'Yeah...?' I was barely Daredevil. I hadn't even signed the contract, you know?
I cannot sit here and say I was beaten by Carol Miller. Because Carol Miller did not show up. She did not debate me. She basically avoided everything and just said, 'I'm with Trump, I'm with Trump.' And sadly, that's apparently a victory here in a place like southern West Virginia.
Anytime something becomes a success in this way you always get imitators. I'm an imitator of the guys I love. I imitate people like Frank Miller, who is a huge inspiration to me.
One of the fun things in the old days about writing with Frank Miller was that every issue of 'Daredevil' was a challenge to every issue of 'X-Men.'
I'm really interested with the way light plays on images and one of the artists that really reawakened my interest in comic books was Frank Miller and his treatment of Daredevil, and then Wolverine and, of course, Batman.
Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.
When I started reaching teenage years, I listened to everything that was on the radio like everyone else did, which was Chuck Berry, Beach Boys and then of course The Beatles, Stones. And of course in the 60's, I was completely blown away like everyone else by Hendrix, Cream, Deep Purple, Jeff Beck and all of that... so those were my influences.
When you write like everyone else and sound like everyone else and act like everyone else, you're saying, 'Our products are like everyone else's, too.'
I don't want to be like anyone else or do what someone else did. I want to be like me and do what's best for me. I can't go do stuff Cardi B did - that may not work for me.
You have to take Bible prophecy literally, just like everything else in the Bible.
I went to visit Frank Capra, one of my idols, and did a kind of Judd Apatow interview with him. I said, "I'd like the Statue of Liberty to disappear, but I want to do it as a lesson in freedom, how valuable freedom is and what the world would be like without liberty." And Frank Capra looked at me and said, "David, I love your idea, but here's what you're going to do. You're going to try and it's not going to work; it's not going to disappear." And I said, "Mr. Capra, I can't do that."
Anxiety is so pervasive in my work, it's like it's not even a thing because it's always there. Like air. I have to work through a layer of anxiety to get to anything else. It's embarrassing to me when people point out to me all the anxiety I portray in my work. I don't ever want to write about anxiety again but it'd be like leaving a huge gap in the picture.
Like a lot of people, I read 'The Diary of Anne Frank' again and again and again when I was growing up - I'm still completely felled by what an astounding book it is. And as a teenager, I did a lot of reading about concentration camps and the vast horrors of the war.
When I first started out, they were like, 'Is there anybody that you like that you want to work with, and we'll see what we can do?' And I went, 'I like Malay,' who's Frank Ocean's producer, and they were like, 'Not going to happen.' It did seem so, like, high-in-the-sky sort of thing, do you know what I mean? It still does, that it happened.
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