A Quote by Drew Goddard
I feel that in horror movies, especially, if you don't care about the characters, you've lost the audience. No one cares, and it becomes a process of watching people get killed.
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I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.
I try to make all my work as honest as possible. I want the audience to feel like they're watching two people talking-having a conversation-as opposed to watching actors fake it. I want the audience to get lost in the fact that this is so good it could be real.
I'm never interested in movies where you don't care about the people you're watching, and that's my biggest quibble about horror, that kids have gotten stupider and stupider.
I love horror movies! I've loved horror movies since I was about eight years old, not that an 8-year-old should be watching The Shining, but I was allowed to, for some reason. Ever since then, I've loved good horror movies.
Danny Boyle has been a huge, has had a huge effect on me. His movies, early movies like Trainspotting and those movies. So I've always loved the energies of those movies. But also, that they are very focused on the characters. Cause it's not only gimmickery, it's not only about visuals. You feel a real need, a love for the main characters. So that's what I've always loved about watching movies myself.
I never wanted there to be any moment in my movies when something would happen and the audience would cheer, like sometimes that happens in certain types of horror movies. I was never a fan of that, I wasn't looking for 'inventive' kills and I even hate that word because it's like, if you have these characters screaming or crying in pain I don't think anyone should be jumping out of their seat cheering. It should be horrible and you should feel sick watching it because that's what it is, sick.
Sure there's a difference with puppet-craft - who cares? I don't care about the puppet-craft, I care about what works. Who cares about the puppet and craft? It's not about that. It's about compelling an audience, and touching an audience in some way.
The biggest moments of insecurity come when all self-confidence is lost and you feel like people are watching and judging. It should be the opposite. You should feel like the people who are watching care about you. This is something we can try to give each other – the feeling that eyes signal support, not disdain.
As an adult, the only people who care about horror movies are academics. No one loves to talk about horror films more than somebody with a Ph.D. in cultural studies at a university.
I love horror movies! I've loved horror movies since I was about eight years old, not that an 8-year-old should be watching 'The Shining', but I was allowed to for some reason.
Horror movies often work better when we have a stake in the game. The more we care about the characters, the more human they are to us, the more appealing they are to us and the more effective the horror tends to be.
I like horror movies. Nightmare on Elm Street is my favourite. I even get scared a little bit watching horror.
I like making sci-fi movies because I like watching sci-fi movies. I like watching horror. I like being in a horror movie. I'm a fan. My perspective's a little different just because I get to participate as well as spectate.
Here's the thing: When you become brilliant at listening, people feel that you care about them. When they feel you care about them, they begin to care about you. And when people care about you, your success becomes a part of how they define their success.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
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