A Quote by Drew Goddard
When Carpenter was shooting 'Vampires' in New Mexico when I was living there, I desperately tried to get a job working on that film, and I couldn't. So my first job as a PA was on a CBS movie of the week that was shooting next door, and whenever I could, I would sneak over so I could watch.
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[Fringe] was just about doing the job, or trying to do the job, properly. It was never a job that you could rest on your laurels. It was a very challenging 43 minutes of television that we were shooting, every week.
The first day of shooting, you always want to turn around and go home and say, "What was I thinking?!," and put your head under a pillow and weep. I could maybe go five weeks, and then the nerves would set in about when the next job was going to happen.
When I make a movie, I don't break it down and analyze it. I could but it would get in the way of doing a job - on instinct based on all the research we did going in. you want to trust yourself and your director and your acting partners in the circumstances you're shooting. I don't like to have any kind of overview.
I was shooting for 'Maaya' when I got a call from John Abraham's office. They told me about the film and asked if I could audition. But since I was shooting, I recorded my audition and sent them the tapes. The next thing I know, I was on board.
I don't really like to watch myself [in movie] very much, even afterwards. I kind of feel that when I've finished shooting, that's my job done, really. It's not my business what happens to it next. I just do what I do and that's what I love: doing it.
In the South of long ago whenever a new man appeared for work in any of the laborers gangs, he would be asked if he could sing. If he could he got the job. The singing of these working men set the rhythm for the work.
I could see no position to say, 'I'm going to make a living as a writer.' But I went to classes for it; I read every play in 'Theater' magazine. I saw the second acts of everything on Broadway - I had a job as a CBS usher in New York City, and on my way home every night, I'd see what shows I could get into.
When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something.
My first job after graduating was working with Robert Zemeckis. I got a job a week after graduating and moving to L.A. So I got to work on 'What Lies Beneath' and 'Castaway' as a PA, which is basically like a gopher.
I only wish the sport of shooting was more reachable and there were training centers all over the country where youngsters could go and try shooting.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
I could never really choose a favorite book, but whenever I'm asked what my favorite movie is, I always say 'Withnail & I,' a British film from 1987. It's funny and sad and absolutely gorgeous to look at. It's the film I can watch over and over again.
My first-ever job in the movie business, I was an art student at Carnegie Mellon, and they were shooting the movie 'Gung Ho' in Pittsburgh, and I worked as an extra for a few days. Michael Keaton bumped into me in one scene, and it's in the movie. And I worshipped him.
Shooting on the street in Brazil - compared to people trying to sneak a picture of something, if you're shooting in the States or Canada - people would literally just try to grab you.
I think that you're very aware that you're shooting a 3D film for a movie that's beloved to the fan community, and that it's going to be on people's radar, and that you have to be excellent. I think it evolved over time how epic it has become. The first time we went to Comic-Con after we finished shooting I went, "oh my goodness, oh my goodness!"
If I grew up in a different background, I could see myself getting a gun and shooting an abortionist. That's my job, to imagine what could happen, what can make people go in different directions.
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