A Quote by Drew Goddard
There's just something wonderful about getting a small group of people together in an isolated location, and there's something about cabins themselves that imply both horror and fun. When you go to a cabin, you're usually going to have a good time.
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Theres just something wonderful about getting a small group of people together in an isolated location, and theres something about cabins themselves that imply both horror and fun. When you go to a cabin, youre usually going to have a good time.
I just hope that theaters remain. I think there's something very wonderful about getting into a dark room with a bunch of people. There's something cool about that. Brings us all together in one room where we can experience all those emotions.
When we think about the people with whom we work, people on whom we depend, we can see that without each individual, we are not going to go very far as a group. By ourselves, we suffer serious limitations. Together we can be something wonderful.
Every good product I've ever seen is because a group of people cared deeply about making something wonderful that they and their friends wanted. They wanted to use it themselves.
After so many years now, it's just suspected by most people that there simply is no way to change the direction Washington's going or the country's going or to do anything about that small group of establishment elitists in both parties that end up running things for themselves.
I think horror movies are still - this can be said of all movies - but being with a group of people scared together is more and more something unusual and fun. Especially for kids who are going out less generally.
People have so many expectations when they go out on stage, so many wishes about what their night is going to be: if they're going to meet that person, have a fun time with their friends, have a good high, hear good music. People get drunk and turn into themselves in a way, and they go to experience some kind of emotion. But it's not always about fun. There's a destructive side to it. But I'm more into the empowerment of going out, because it's always been the place where I could be myself and get inspired. Even if I'm sad, dancing is a way to let stuff out.
I'm definitely not a guy that comes in the dressing room saying, "Hey, everybody, what a wonderful life." I'm usually brooding about something I think is wrong. I care so much about getting the music right, and if I think someone's slacking I get very upset about that. I just can't go on stage and say, "Another day, another dollar," which I've heard a few people say: I can't go along with that at all. It's got to be as good as you can do - to my own detriment.
When people say it's a funny thing about them, you will probably be able to control your hysterics. They are only getting ready to announce the shattering fact that they don't like something. And it's not going to be something that's really quite awful, like suttee or apartheid; it's going to be something small.
A group of amazingly high achievers can be brought together and play together, and all believe that they are competing for something bigger than themselves. Those players are so used to being patted on the back and told how good they are. Frankly, those are usually the hardest people to remind that they are aspiring to achieve something bigger than themselves.
For many of these people the social is just a mirror of themselves. I'm not against the social, but I want something genuinely social, not something that has been fetishized as social so that a group of people can feel better about themselves.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
Many movies about people recovering, moving on, and redeeming themselves are really wonderful and inspiring. But I think the more sentimental ones that are less good make me feel isolated - like, if you can't pull yourself up by your bootstraps like the guys in the movies, there is something wrong with you. That's a shame.
I heard "romantic comedy about the invention of the vibrator in Victorian England," and I was like, "You have got to be kidding me. Yes, I want to do that." And I had a bunch of small kids, and I didn't want something that was so impossibly difficult, a "broccoli movie." But I wanted something that meant something to me, so I just kind of said, "Let's go, jump in!" It took a long time to get Hysteria made, but it was really fun.
We all went to Kelsey's wedding, and yeah, we go to parties. We also go to each other's house. A group of us got together over at Kelsey's and just read through some plays just for the fun of it. That may not be everyone's idea of a good time, but we had a good time.
We go out to practice every single day and we have fun out there, but at the same time, we're getting work done. We're going hard. If it's reps for the scout team, we're giving them good reps. If we're getting reps for the first team as a tight end group as a whole, we try and go out there and put our best out there as a group effort.
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