A Quote by Duncan Jones

I was massively jealous but also excited when Tarantino did Inglourious Basterds, I'm a huge guys on a mission fan. Those kind of movies. — © Duncan Jones
I was massively jealous but also excited when Tarantino did Inglourious Basterds, I'm a huge guys on a mission fan. Those kind of movies.
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment--rich in fantasy and blithely amoral.
I was a huge fan of Bobby Cox, a huge fan of Chipper Jones and John Smoltz. And just those guys, I grew up watching those guys and often wondered early on in my career if I would ever have the chance to play for the Atlanta Braves, and there it was. God kind of answered my prayers.
Since many people have been asking me to elaborate on why I think "Inglourious Basterds" is akin to Holocaust denial, I'll try to explain what I mean as succinctly as possible, by paraphrasing Roland Barthes: anything that makes Fascism unreal is wrong. For me, "Inglourious Basterds" makes the Holocaust harder, not easier to grasp -- as a historical reality, I mean, not as a movie convention. Insofar as it becomes a movie convention, it loses its historical reality.
I don't like violence in movies, I'm not a kind of Tarantino fan. But sometimes it's necessary.
I was writing a film criticism book on Sergio Corbucci, the director who did the original Django. So, I was kind of getting immersed in his world. Towards the end of the Inglourious Basterds press tour I was in Japan. Spaghetti Westerns are really popular there, so I picked up a bunch of soundtracks and spent my day off listening to all these scores. And all of a sudden the opening scene just came to me.
Even Christoph Waltz's character, Colonel Landa in 'Inglourious Basterds', I never judged him.
When I was filming the death scene [in Inglourious Basterds], and I'm killing somebody, I had to work myself up.
There was a period of cinema, in the mid-90's, that I was a huge fan of, with Heat and Seven, and the Tarantino era. If I've ever been fanatical, it was about those films.
When [Len Wiseman and I] first met, I was a huge fan of the 'Alien' movies. I was a huge 'Die Hard' fan until it ate my husband for two years. We sit and watch movies all the time. One of my favorite movies is 'Dog's Day Afternoon.' Len loves that movie.
Danny Boyle has been a huge, has had a huge effect on me. His movies, early movies like Trainspotting and those movies. So I've always loved the energies of those movies. But also, that they are very focused on the characters. Cause it's not only gimmickery, it's not only about visuals. You feel a real need, a love for the main characters. So that's what I've always loved about watching movies myself.
For me, it was a lot of pressure to make another movie after 'Inglourious Basterds' because I didn't want to do something wrong. I wanted to have a beautiful project for another American movie.
I'm a huge stadium rock fan, but I'm also a fan of everything from Massive Attack to Peter Gabriel, U2, the Police, Radiohead, and Coldplay. I've realized that I love all forms of music and get excited when any artist goes crazy and creates something that is an experience.
I'm a huge fan of 'The Odd Couple,' yes, and any comparisons to Tony Randall and or Jack Lemmon are completely welcome. I kind of try to channel those guys, and then add my own neuroses, too.
As a kid, I was a huge fan of movies and acting. My mom was in the sort of community theater, and I always hung around down there, and I was a massive fan of everything I'm kind of involved in now. But fairly ordinary and cheeky.
Obviously, I am a huge Matt Morrison fan, and I am a big Lea Michele fan because I know those guys from way back.
Im a huge fan of The Odd Couple, yes, and any comparisons to Tony Randall and or Jack Lemmon are completely welcome. I kind of try to channel those guys, and then add my own neuroses, too.
This site uses cookies to ensure you get the best experience. More info...
Got it!