A Quote by Duncan Jones
When Peter Jackson did The Lord of the Rings trilogy with Fellowship of the Ring, not everyone had read Tolkien, and yet somehow with that scope and the spectacle of that fantasy, people were willing to give it a shot. And when they watched the first one, the characters drew them in and they started understanding the story. And then, all of a sudden, they were The Lord of the Rings fans, even if they never read Tolkien.
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When Peter Jackson made the 'Lord of the Rings' movies, I remember there was a concern that people who didn't read Tolkien wouldn't go see the first one. But the films were so good in their own right that the audience grew beyond the readership of the book.
My first score for 'The Lord of the Rings' trilogy, 'The Fellowship of the Ring,' was the beginning of my journey into the world of Tolkien, and I will always hold a special fondness for the music and the experience.
The Tolkien estate owns the writings of Professor Tolkien. 'The Hobbit' and 'The Lord of the Rings' were sold by Professor Tolkien in the late '60s, the film rights.
J.R.R.Tolkien has confessed that about a third of the way through The Fellowship of the Ring, some ruffian named Strider confronted the hobbits in an inn, and Tolkien was in despair. He didn't know who Strider was, where the book was going, or what to write next. Strider turns out to be no lesser person than Aragorn, the unrecognized and uncrowned king of all the forces of good, whose restoration to rule is, along with the destruction of the evil ring, the engine that moves the plot of the whole massive trilogy, The Lord of the Rings.
'Lord Of The Rings' fandom was massive, worldwide, entrenched. Generally it had been part of the fans' life all their life, because they had it read to them as children; they'd become Tolkien students.
Lord Of The Rings fandom was massive, worldwide, entrenched. Generally it had been part of the fans' life all their life, because they had it read to them as children; they'd become Tolkien students.
My agent told me they were casting for the voice of Gollum. I hadnt read The Lord of the Rings, but I read the script and realized what an amazing role it was. I developed a voice for the audition tape, then met Peter Jackson and Fran Walsh at the auditions and fell in love with them both.
After 'The Fellowship of the Ring,' the films that followed it, instead of having their own unique aesthetic, they all wanted to be 'Lord of the Rings' as opposed to learning from 'Lord of the Rings.'
Our daughter's name Arwynn comes from Arwen in 'Lord of the Rings' because my wife and I met for the first time in the Eagle and Child pub in Oxford where J. R. R. Tolkien and C. S. Lewis used to go to read out their stories to one another.
I hadn't watched 'Lord of the Rings' - I'm gonna get so much flack for this, but I hadn't watched 'Lord of the Rings' when I started watching 'Game of Thrones.'
I read everything that Tolkien wrote, and also read biographies of him. I was fascinated by his experiences in World War I, which includes the loss of life of some of his very, very close friends. I think he writes about that a lot in 'The Hobbit' and 'The Lord of the Rings.'
I'm a huge fan of Tolkien. I read those books when I was in junior high school and high school, and they had a profound effect on me. I'd read other fantasy before, but none of them that I loved like Tolkien.
Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.
Most fantasy is incredibly derivative of Tolkien, so when you read a lot of fantasy, it's really just elves and gnomes, and it all goes back to Tolkien.
Tolkien was influenced by South Africa when he was writing 'Lord of the Rings.' It's really epic scenery.
I read 'the Hobbit' at the age when you're supposed to read it. I didn't read 'The Lord Of The Rings.' My father, who was an English teacher, advised me that once I had read 'the Hobbit,' that would be enough. I could then move on to Dostoyevsky.
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