A Quote by Duncan Jones
Toshiro Mifune was such an elegant hero, and there's something really empathetic about him.
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When I was eight or nine years old, I saw the TV version of 47 Ronin, played by Toshiro Mifune. He played Oishi. That was my first experience. I watched every week with my brother. "Who plays Oishi tonight? Who will play Kira tonight?" And we fought every week.
Elegance is necessarily unnatural, only achieveable at great expense. If you just do something, it won't be elegant, but if you do it and then see what might be more elegant, and do it again, you might, after an unknown number of iterations, get something that is very elegant.
Really, the arc for the first season of 'Luke Cage' is 'hero.' How does one become a hero? What does one feel about being a hero? How does one live their life and eventually go through the Elizabeth Kubler-Ross stages of grief until the acceptance is, 'Fine, I'm a hero.' This is what it is.
Political correctness is anti-empathetic because it has correctness in it. We all have biases, we all have prejudices and if we cant talk about them openly - if we get attacked for it then this is an anti-empathetic movement and therefore it cannot complain about a lack of empathy.
Could it be ... that the hero is one who is willing to set out, take the first step, shoulder something? Perhaps the hero is one who puts his foot upon a path not knowing what he may expect from life but in some way feeling in his bones that life expects something of him.
My mom is a hero in a lot of ways because she's the most empathetic and kind person I've ever met.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
When you have a popular hero in your film, you have to think of what the masses expect from him. You have to portray the hero in such a way that they should adore him.
A more detailed world is a more complicated and complex one, and therefore a more empathetic one. I feel Gord's Downie lyrics are exceptionally empathetic, or that's what they accomplish. The fact that they can cross all those cultural cliques and boundaries really amplifies that, to me.
Grace is in a great measure a natural gift; elegance implies cultivation; or something of more artificial character. A rustic, uneducated girl may be graceful, but an elegant woman must be accomplished and well trained. It is the same with things as with persons; we talk of a graceful tree, but of an elegant house or other building. Animals may be graceful, but they cannot be elegant. The movements of a kitten or a young fawn are full of grace; but to call them "elegant" animals would be absurd.
Figo was my hero. Then he joined Madrid. Barca fans hated him for that. It was impossible for him to be a hero any more, but now that I'm a professional, I see things differently.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
I think, generally, the flawed anti-hero is much more interesting than the normal hero, and that's really what we're talking about here as it relates to outlaws or renegades.
I don't really love the guitar hero trip, anyway, so it's not something I'm actively searching for or after. I don't like what it's about.
Whenever we play a really good game, everybody's going to be a hero, and the good part about it is nobody's trying to be a hero.
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
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