A Quote by Dustin Lance Black

I've never encountered homophobia in casting from the studios or networks - not once, not ever. Where you encounter it is with the agents and the managers, they're the ones who have an outdated notion of the price an actor might pay if it's discovered that they're LGBTQ.
We wanted to take on social and political and LGBTQ stories which no one at the upper level of the entertainment industry ever really wants to do. So you have to fight, and you have to persuade, and you have to manipulate the studios and the networks. And you have to go back - over and over again - until they say yes.
An Outside Context Problem was the sort of thing most civilisations encountered just once, and which they tended to encounter rather in the same way a sentence encountered a full stop.
Every role I've ever taken has never had anything do to with size. It's never been something I've wanted to be cheap about. Luckily, my agents and managers have always supported that.
Whatever the price, identify it now. What will you have to go through to get where you want to be? There is a price you can pay to be free of the situation once and for all. It may be a fantastic price or a tiny one - but there is a price.
Whatever the price, identify it now. What will you have to go through to get where you want to be? There is a price you can pay to be free of the situation once and for all. It may be a fantastic price or a tiny one -- but there is a price.
Your agents and your managers will always say stuff to you like, "It's really important to make a good first impression on a casting director. And even though you didn't get that job, because you did well that means they'll keep bringing you back in." But when you really just need a job to pay your rent, that stops being very consoling.
I think you've got to pay the price for anything that's worthwhile, and success is paying the price. You've got to pay the price to win, you've got to pay the price to stay on top, and you 've got to pay the price to get there.
We did casting in L.A. and a lot of people came against the advice of their agents. The agents said, "You shouldn't be in Postal, it will damage your career." So Zack Ward came to casting and played one of the cop parts, and then later I looked at the DVDs again and said, "This guy is Postal Dude." He's like white trailer trash. He's had a long time in the film industry, but no real success. He needs money; he's two-times divorced in real life. He said he works only to pay off his Philippine ex-wife.
The notion of following your passion is worth indulging. Your passion is your source of power. To live really a full life, you need to follow where it leads...in defiance of all things conventional perhaps. And of course it has its price. You have to know that going in. But the price you pay, in my opinion, is not worth the time of day to think about. It is so important not to knee pad around the world. You should never bow down to anything but those you love and respect. Ever for anything.
The linguistic clumsiness of tourists and students might be the price we pay for the linguistic genius we displayed as babies, just as the decrepitude of age in the price we pay for the vigor of youth.
People are very good [at] thinking about agents. The mind is set really beautifully to think about agents. Agents have traits. Agents have behaviors. We understand agents. We form global impression of their personalities. We are really not very good at remembering sentences where the subject of the sentence is an abstract notion.
Someone once said that taxes are the price we pay for civilization. That may have been true when he said it, but today taxes are mostly the price we pay so that politicians can play Santa Claus and get reelected.
Everyone that's ever seen 'Pose' who isn't trans or doesn't have any connection to the LGBTQ community has been given the opportunity to create empathetic relationships to the characters that they would not have otherwise been able to. That's super essential in helping counter homophobia and transphobia.
There is a price which is too great to pay for peace, and that price can be put in one word. One cannot pay the price of self-respect.
When you are an actor or trying to be a working actor in L.A., most people have commercial agents, and then they have legitimate agents, and you just end up going on a thousand auditions.
Agents have enormous power that studios relinquished to them. The studios, when I first came to Hollywood, that's where the power was.
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