A Quote by Dusty Springfield
Somehow I took whatever criticism there was very much to heart.
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I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
Certainly professionally, yes [I was interested more in history]. And literary criticism, the structure of poetry. But it is primarily as a historian that I work, although text criticism and literary criticism are very much a part of my interests.
You get those couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage.
It took me getting to my 50s before I could say "Whatever!" about other people's criticism, especially when it's not true.
I love 'Talking Smack.' It is so much fun. We just literally go out there and say whatever we want. Somehow, it's never planned, but somehow I end up bickering with Daniel Bryan every single time.
There are couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage. Of course it is true, that's exactly what a child does but it's not something to be feared, it's to be embraced.
Expressions of sharp and even violent criticism of religion and the church have been welcomed, for they usually imply sincerity of thought. If caustic criticism of religious institutions and practices is irreligious, then Amos, Isaiah, and Jesus were very irreligious men. In fact, that is exactly what many of their contemporaries took them to be.
Criticism pretty much follows anything anyone ever does. So, anytime anyone ever writes a song, plays a show, or does whatever they do, there's going to be a certain amount of criticism because that's kind of what happens.
You're meant to have whatever your heart desires. Whatever your heart wants that much is already a part of you.
If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant.
I basically took something that was extremely erotic and very intentional, and I reduced it to a simple kiss. I got a lot of criticism for that.
I studied art history and philosophy and took economics and political science classes. I just took whatever I wanted and I didn't worry about grades and I read and learned a lot, and I didn't have much of a social life, so it was deeply absorbing.
I took religion much too seriously, however, and its overall effect was depressing. I would have really liked to discard it, but somehow I couldn't.
Either criticism is no good at all (a very defensible position) or else criticism means saying about an author the very things that would have made him jump out of his boots.
I think that's what so exquisite and unique about New York, it's a city that allows you to hone your craft as much as possible. There is no good or bad, somehow, strangely, there is no beginning or end. You certainly qualify it with the opening or closing of a run, but what's extraordinary is that you are actually allowed to be an artist here. It's very "belle époque," but somehow continually. That's why I love New York so much, honestly.
It took me 30 years to figure out who I really am, as a person, and who I want to surround myself with. I was very much the kind of person who would just meld in with whatever group I was near.
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