A Quote by Dwight Howard
I've been on the side where you have nothing, and now I'm on the side where anything I want is there for me. When I didn't have the means to do whatever I wanted to do, I still had peace.
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The chances are you've never seen the other side of me. You've seen the event side of me when I'm on stage. But there is another side of me. If you evoke that side, you won't like it. It's a nasty side. You don't want to see that side. You're not missing anything by not seeing it.
I've never been in the position where that conversation is a serious conversation before the movie even comes out. On one side of it, that's so great because you've got such great potential. The other side of that is that there's a level of pressure. Now, that clearly means that there's an expectation level, from the studio side, potentially from the audience's side, and from our side.
My focus had always been the on-side. My coach wanted me to work on the offside strokes since he was convinced of my ability and timing on the leg side. I worked hard and firmed up my defensive technique. I am happy getting runs all around the wicket now, and getting a lot of boundaries. No one calls me a 'leggie batsman' anymore.
I'm not as religious as some people about "the album." To be honest, that was a product of a format. You had vinyl, and you could fit five songs on each side, and that's 45 minutes. You had A-side songs and B-side songs; I always loved the first song on side B. And there's nothing wrong with that. Prog albums of the 70s adapted to that format very much. But not all musicians want to create 45 minutes of music that has to be listened to in chronological order.
It means we're on your side." That's what Bonnie said. I have people on my side? What side? Am I unwittingly the face of the hoped-for rebellion? Has the mockingjay on my pin become a symbol of resistance? If so, my side's not doing too well.
That is the person you want publishing your book. To be in it, you really have to believe in books and love whatever it is you're publishing. Both on the book side and especially on the magazine side, I've had editors that I did not get the same feeling from. That feeling of, "This is something I believe in, I don't care how long, I'm going to publish it" - that kind of passion and commitment means a lot to you.
More than life, I value vindication. When you are at peace with the truth and you know that you are on the side of the right and God is on your side, you are not afraid of anything, including jail.
In the films I've done recently, I've been learning a little more about the side of myself that enjoys being a light. I remember when I used to dress in all black and you'd say. "Just be pretty, hold your head up, be proud. Be a pleasant person and don't cover yourself so much with darkness, your need to be a little crazy." Now I have nothing against anything I've been in before, because I love all sides of me, but I have been experimenting more with that lovely woman side. In this age of feminism, I would hate for the whole gentlemen and ladies things to be lost.
The Victorians have been immoderately praised, and immoderately blamed, and surely it is time we formed some reasonable picture of them? There was their courageous, intellectually adventurous side, their greedy and inhuman side, their superbly poetic side, their morally pretentious side, their tea and buttered toast side, and their champagne and Skittles side. Much like ourselves, in fact, though rather dirtier.
I've been booed off the field, and I've been carried off the field by people cheering me. So I've seen both ends of it, and I can tell you the bad side of it gets a lot more attention than the good side does, but the good side is pretty darned good when it's on your side.
All my experience of the world teaches me that in ninety-nine cases out of a hundred the safe side and the just side of a question is the generous side and the merciful side.
In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.
We wanted, it seemed, what we already had, a lover and a friend to create with, side by side. To be loyal, yet be free.
I deal in emotions. It's the harmonic side that's important. That's the side I expected to be much further along on than I am now. That just means to say that I've got to keep at it.
I definitely feel like, in America, even though race is a social construct... there's still a line drawn in the sand; there still are sides. Politically, there's a black side and a white side, and I stand unapologetically on the black side.
As I see it, Being, the Cosmos, whatever you want to call it, is a struggle between two implacable forces: Novelty on the one side and habit on the other side.
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