A Quote by Dylan Lauren

The people at Dylan's Candy Bar, they have to have an inner child and a sense of fun... and love the colors and the textures. — © Dylan Lauren
The people at Dylan's Candy Bar, they have to have an inner child and a sense of fun... and love the colors and the textures.
When I started Dylan's Candy Bar in 2001, I wanted it to be a place that merged my love of pop culture, fashion, art and music with candy. Since then, we have been fortunate to pioneer artistic partnerships with many legends.
I used to live on one candy bar a day - it cost a nickel. I always remember the candy bar was called Payday. That was my payday. And that candy bar tasted so good, at night I would take one bite, and it was so beautiful.
I get the Reese's candy bar. You look at that, there's an apostrophe-s there. That means the candy bar is his. I didn't know that. Next time you're eating a Reese's candy bar, and a guy named Reese comes by and says, "Gimme that", you better hand it over.
So much of what we decide to carry in our stores is based on what we hear through the Dylan's Candy Bar Facebook Page and Twitter feeds.
The piano is an instrument that can easily sound overly thick, and I love to think that I can work with textures - particularly the inner textures inside the melody or the bass line. There is an analogy there with painting; I love paintings where you see colour underneath the colour and, underneath that, more texture and shape.
If you come into my house, it looks like I went to Costco and Dylan's Candy and every candy store and I just have glass jars filled with chocolate. I just love chocolate.
I love playing the melodic stuff. I love adding textures and colors.
Whoever thought a tiny candy bar should be called fun size was a moron.
I do not plan any painting, but begin with layers of textures and colors. As I layer the colors, something is suggested to me from within, and that is how it evolves.
Whoa," Connor Stoll said. "Back up. Zoom in right there." "What?" Annabeth said nervously. "You see invaders?" "No, right there—Dylan's Candy Bar." Connor grinned at his brother. "Dude, it's open. And everyone is asleep. Are you thinking what I'm thinking?" "Connor!" Katie Gardner scolded. She sounded like her mother, Demeter. "This is serious. You are not going to loot a candy store in the middle of a war!" "Sorry," Connor muttered, but he didn't sound very ashamed.
I am so proud of the growth of Dylan's Candy Bar into two more flagship stores: Union Square in New York City and Chicago on Michigan Avenue, and two airport stores: JFK and Detroit.
I like it when you reach into a vending machine to grab your candy bar, and that flap goes up to block you from reaching up? That's a good invention. Before that, it was hard times for the vending machine owners. "Yeah, what candy bar are you getting?" "That one, and every one on the bottom row!"
If I am acting out in any particular way that is harmful to myself - without a shadow of doubt, there is a feeling suppressed under wanting that second candy bar. Often, it is that little voice I haven't paid attention to. It's generally not the adult voice. If I take a moment to address that and figure out what that is, the desire for the candy bar seems to dissipate.
My favorite Halloween candy is the candy corn. It comes in four colors: white, yellow, orange, brown. Those are also the stages of your teeth rotting after you eat it.
It's fun to use all of my range; there are so many different colors and textures that come out, revealing different parts of my voice. I know what my voice is capable of, and I try to fit it to each song, evoke a mood.
If Woody Guthrie set the bar for American songwriters, Bob Dylan jumped right over it. No one I know will ever come close to possessing the beauty of melody and the use of language that Dylan shares with us, with ease.
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