A Quote by Eddie Izzard

They tend to come out a colour called 'Pants left in wash' — © Eddie Izzard
They tend to come out a colour called 'Pants left in wash'
The crazy colors tend to wash out so quick. Basically, it ensures that you never wash your hair, so it starts to do some cool stuff.
The most admirable method is that by which each wash of colour, large or small, is never disturbed. It admits of practically no overpainting, sponging or scrubbing. The colour stays where it is put.
What hands are here? ha! they pluck out mine eyes! Will all great Neptune’s ocean wash this blood clean from my hand? No; this my hand will rather the multitudinous seas incarnadine, making the green one red.” “My hands are of your colour; but I shame to wear a heart so white. A little water clears us of this deed: How easy it is then! Your constancy hath left you unattended.
You can't intellectually purge yourself of who you are. Whatever that is, it's going to come out in the wash, the film wash. What you are is going to be relevant, if not to yourself, to the movies you make.
Acting is rare. You can be rehearsing Ibsen with Sir Richard Eyre and suddenly he has to take a call on his mobile telling him his friend Arthur Miller has died. Or you can come back from a job on the Isle of Man to be told by your agent you're going straight out to South Africa on another shoot. There's not even any time to wash your pants.
The colour blue - that is my colour - and the colour blue means you have left the drabness of day-to-day reality to be transported into - not a world of fantasy, it’s not a world of fantasy - but a world of freedom where you can say what you like and what you don’t like. This has been expressed forever by the colour blue, which is really sky blue.
Traffic counting was very boring and cold to sit out on the streets of New Haven in five pairs of pants - well, that's an exaggeration; it was three pairs of pants - in November for hours and hours clicking buttons counting which cars go left, right, and forward.
I try to not wash my hair a lot because it takes the moisture out of the hair. If I don't work, I wash it every two or three days. I don't brush my hair after I wash it, and I let dry naturally.
What I've always wished I'd invented was paper underwear, even knowing that the idea never took off when they did come out with it. I still think it's a good idea, and I don't know why people resist it when they've accepted paper napkins and paper plates and paper curtains and paper towels-it would make more sense not to have to wash out underwear than not to have to wash out towels.
(When asked who wore the pants in his house:) I do, and I also wash and iron them.
We tend to forget that words are, themselves, ideas. They might be called ideas in a state of suspended animation. When the words are mastered the ideas tend to come alive again.
The true colour of life is the colour of the body, the colour of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest colour of the unpublished blood.
At the end of the night I just wash my face with a wash cloth, and then I'll use a toner, like witch hazel. Then I'll go in with a Neutrogena makeup wipe if I feel like I have anything left.
I left Texas A&M because my school called me. Mama called, and when Mama calls, then you just have to come running.
In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight. You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
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