A Quote by Eddie Redmayne
Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.
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To see yourself on the big screen, you're big, you hate your voice, your vocabulary. You say the same words, you speak bad.
Even if people say you look cool and you did well, it's extremely cringey to watch yourself rocking out. It's like listening to your own voice on an answering machine times a hundred, because you're hearing your voice through a microphone outside of a PA at a hundred decibels.
We look so very different from the way we sound. It’s a shock, similar to hearing your own voice for the first time, when you’re forced to wonder how the rest of you comes across if you sound nothing like the way you think you sound. You feel dislodged from the old shoe of yourself.
With voice overs... you're not thinking about the camera. So your voice becomes this thing that you can manipulate. And depending on the character you're doing, it's all concentration on your voice.
No, it's not comfortable; I hate watching myself. You don't like when you hear your voice on your voicemail; imagine having to see yourself 30 feet wide and 30 feet big.
It’s not about finding your voice, it’s about giving yourself permission to use your voice.
It's very awkward to watch yourself on TV because I hate the sound of my voice. It's those moments where you're like, 'I do that?'
It's important to raise your voice in things you feel passionate about and things that you know about. Don't raise your voice just to raise your voice if you have nothing behind it and don't know what you're talking about.
Finding your voice is something you have to keep working at. Your voice as a comic evolves the same way that you evolve. You have to find out what works for you. How can you express your opinion, your take on the situations in a way that feels natural to you? That's where you find your voice.
When I was a kid, there was no collaboration; it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
I think most of us, as writers, have had experiences where you get edited and it doesn't feel like your voice at all. And so it's been nice to go through the experience of having a lot wind up on the cutting-room floor, and yet still feel that your voice is being - not purified, but made more yourself. I think that's a very rare thing.
[You should] see everything about your life as a lesson. Ask, "Am I empowering myself?" Even for a tiny thing, like if you're in the grocery store and you're thinking, "Should I buy that?" And your gut says, "You know you can't eat that." If you decide not to listen, you've harmed yourself by blocking your intuitive voice.
The only thing new is you finding out about something. Like nothing's really new, but you reinvent it for yourself and find your inner voice.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
Ranbir has the ability to be a natural in front of the camera. There is nothing artificial about him. When I watch him on screen, I always feel that he is not acting. And I see this quality only in him among my contemporaries. I am a big Ranbir Kapoor fan.
Figure out whether or not you believe in yourself, and if you don't, find a way to. Because even more than you want it, you must believe it. And learn about yourself. The rhythm of one's spirit is just as important as what you look like or what you sound like. Who are you? What's your voice? What are you dying to contribute?
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