A Quote by Eddy de Clercq

Most of this innovative new music doesn't make money so it's regarded as uninteresting for the business people and considered as "underground". — © Eddy de Clercq
Most of this innovative new music doesn't make money so it's regarded as uninteresting for the business people and considered as "underground".
The underground went really underground. Grand Funk, and all these people man are the moderate's choice of music. Underground is Yoko Ono, The Black Poets. These people scare the hell out of most freaks. They laugh at Yoko Ono, but it's the whole cliché.
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
The old model of the industry was founded largely upon business folk trying to make money off artists. At EMP, we let the music make the money, not the other way around. We have flipped the model to make the artistry be at the forefront of everything we do. Music makes the business and that's what makes it work.
There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.
There is a fantasy in Redmond that Microsoft products are innovative, but this is based entirely on a peculiar confusion of the words "innovative" and "successful." Microsoft products are successful - they make a lot of money - but that doesn't make them innovative, or even particularly good.
The most important thing is that you make sure you follow the music, which is a musician's way of saying follow your heart. The two things are intertwined. You know, when you even mention the phrase "music business," the older you get, the sourer it sounds. It's a terrible business, you know. Music and business have nothing to do with each other; there's no correlation, so it's always a rub. I would encourage people, don't be swayed by the music business. If you're truly, in your heart, a musician, stay one, and let the business find you.
In the four decades of philanthropy that have paralleled my business career, I've found that the same principles apply whether you're providing access to capital to grow a business, creating a new paradigm for medical research, or pioneering innovative approaches to education: Empower the most talented people in each field and encourage them to pursue their passions.
I think a lot of music that's really innovative is not even considered because it was made by people who had a sexual image. And people assume that it's a commodified thing, so it can't be "indie."
The investigation of consciousness has come to be regarded suspiciously by most smart people and by most scientists. That's a legacy that began with the Inquisition, which considered non-Christian spiritual inquiry as blasphemous.
In my experience, in the real-estate business past success stories are generally not applicable to new situations. We must continually reinvent ourselves, responding to changing times with innovative new business models.
Liquid, flowing words are the choicest and the best, if language is regarded as music. But when it is considered as a picture, then there are rough words which are very telling, they make their mark.
The fact that people still know us is, in my opinion, a result of our music and of the big money that runs the music industry today. The people who control the industry are accountants who recycle everything in new, nostalgic packages, and everything else, to make more money.
New generations have unprecedented power to make great changes. Take the music business for example. The new generations have toppled the music industry by file sharing, downloading, and Myspace. Rock 'n' roll belongs to the people.
The business of a label is to make money - my business is to make music. I'm gonna get paid if I do it right.
You know that one don't play music just for the hours to pass. But you play music because you are in love with music and luckily if it happens that people like what I'm proposing, then I'm happy. Although music is business, yet you don't start thinking about money from the initial stages when you are in music. First propose to the people what they want and if they like it, then the money comes later.
You know, most people called rap stupid when it started, and it was one of the most innovative music forms of its time.
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