A Quote by Edgar Wright
Near my apartment in London, a lot of the pubs kind of look identical, which is very strange.
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I grew up near King's Cross station in London, living in an apartment block where my dad was a caretaker.
It's very strange to go to cities like London and New York. People walk so quickly, they seem to be in a hurry all the time. And you don't say 'Hi' to everyone you meet, and you don't smile to everyone you meet, because there's just so many. Which is also very strange.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
A lot of pubs in London are now faceless, expensive yuppy bars. Not like when I was growing up. The pub used to be, and should be, the pillar of community.
My parents weren't in the arts, but we grew up in Balmain, which at that time was an artistic, bohemian suburb of Sydney. It's a lot more gentrified now. It was very working class, pubs on every corner because it's right by the water so a lot of the guys on the ships and the boats used to go and drink there. It's very posh now.
There's something rather wonderful about the fact that Oxford is a very small city that contains most of the cultural and metropolitan facilities you could want, in terms of bookshops, theatre, cinema, conversation. But it's near enough to London to get here in an hour, and it's near enough to huge open spaces without which I would go insane.
When I was a kid in Ireland, there were not very many black people. I was very much like the strange brown thing, intriguing and cute. I didn't experience racism there. The first time I did was in London. It was that moment that you realize you're black. A kind of lifting of the veil.
I was living with my mom in a tiny apartment in Chula Vista, near Third and H Street behind the 7-Eleven. It was crazy to be on the phone with Stevie Wonder. I felt like a meteor hit our apartment!
I was 18 when I first visited London, I'm very provincial like that, but I must confess the moment I got to America I thought: This is the place. It was more open, with 24-hour cities and pubs and restaurants that didn't close.
I write in a very strange way. Things are very fragmentary for a very long time, and then they come together very quickly near the end of the process.
They look outside the windows of their apartment in town and realize they're not living in a terrace anymore. This is a room full of dreamers who like to go to London for a day.
When I left my family home and had finished university, I stayed in South London but moved closer to London's center, to Brixton and Herne Hill. Herne Hill is a tiny place that is ridiculously overstocked with lovely pubs.
This film [Doctor Strange] kind of takes that everyday boring reality and really bursts it wide. So we talked a lot about that. In many ways there's something very practical about this world, the Kamar-Taj. It's - You know, we all look like samurai warriors, but actually there are iPads everywhere and there's a feeling that it's a practical possibility for this modern world that the Doctor Strange universe is functioning, and that we know it and it's around the corner for all of us.
I lived in London, went to the London School of Economics, do a lot of business in London, and have a lot of fun in London.
I have a huge affinity with London, and I have a lot of relatives here - now and before I was born. I pretty much look at London as the centre of the universe.
Only a few months into our marriage," writes the grandfather, "we started marking off areas in the apartment as 'Nothing Places,' in which one could be assured of complete privacy, we agreed that we never would look at the marked-off zones, that they would be nonexistent territories in the apartment in which one could temporarily cease to exist.
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