A Quote by Edgar Wright

You get some directors, and I can never understand it - there's a thing they call the 'video village' where all the monitors are, and you've probably seen it on set visits - I hate that! I never, ever like sitting in video village. I get either my own monitor or a hand held monitor, and I stand right by the camera.
Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.
They use those monitors now, and sometimes you'll be doing a shot and then suddenly you see yourself on one of those monitors, and I always say turn the monitor round, I don't want to see myself on the monitor. I never see myself 'til the movie's finished.
I never go to the monitor. I just look at the camera monitor and my favorite part of all of the directing, except for the writing and editing of it, is right when we're rolling and they do lines and I'll say "Try this, try this, try this."
It was so hard to watch myself back because whatever movie I do, I never look at the monitor. I hate looking at the monitor.
I know there are people who can direct sitting down away from it all at a video monitor. But I can't do that.
I don't stay in my trailer. I like to sit in video village, probably to the annoyance of some producers and directors, because they really love to talk about actors, and they can't in front of me.
No one was jumping up and saying, 'Yeah, let me give you money.' I had never held a camera in my hand - a home video camera, nothing. I had not directed.
If you're into writing and making people laugh, or just want to video blog something, you should get a simple digital video camera. And all computers now come with an easy video editing software program. Just mess around with that for a little bit, try to figure it out, then just put stuff online and have fun. Never give up!
When i've done camera test, after we've shot and I've seen the monitor with the glasses (wearing a Kimono) and looking by myself in 3D. Oh my god. Especially for a Samurai film. I've never seen that. It's kind of a culture shock.
I noticed you could monitor the recording that you're making, but you could also monitor the playback head. There's a little distance between them and so you get an echo, right? If you change the amplitude of, say, the playback and play with that, you get different qualities and different sounds. So I was very interested in that phenomenon.
You don't tell a player you can't monitor your investments for a month. There's no way you're going to have a billion-dollar investment and never fail to monitor it for a period of time.
I always like to hang out with whoever's directing and watch what they do. I hang out at Video Village, the area where the directors and the writers and script advisors are.
I disagree with Muhammad. I'm against hate, anti-Semitism and homophobia. This is not a village of hate. It's a village of hope. Don't let midgets give us a bad name. There are still giants in Harlem, giants who will stand up for our children.
I've never used High Definition video, never, ever, ever, ever, ever. And I never will. I can't stand that crap.
The video game culture was an important thing to keep alive in the film because we're in a new era right now. The idea that kids can play video games like Grand Theft Auto or any video game is amazing. The video games are one step before a whole other virtual universe.
I don't go back and look at the monitor between every take; I wait until I feel like we finally got it right: "Let me stop and look at that last one on the monitor."
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