A Quote by Edgar Wright

I think, 'Scott Pilgrim,' it was something where the general audience didn't necessarily understand straight away what it was. — © Edgar Wright
I think, 'Scott Pilgrim,' it was something where the general audience didn't necessarily understand straight away what it was.
It's interesting that some people reading the comics see Scott Pilgrim as a blank slate in that they like to imagine themselves as Scott Pilgrim, so it's interesting that there are two kind of schools of thought about the character. One is, like, Scott Pilgrim is awesome. The second is Scott Pilgrim believes himself to be awesome.
There were times over the years when I wanted to take a break from 'Scott Pilgrim,' or even just stop doing 'Scott Pilgrim,' when I was feeling down or whatever.
'Scott Pilgrim' is something that was a little bit more difficult to put in one box. But, to me, that's not necessarily a bad thing about the movie.
I wasn't ready to manage straight away. You have a few players who stopped and managed a first team straight away and were successful, and then there are the other ones who take different pathways. And I think what was important for me was to understand what I really wanted to do.
I actually don't read comic books. I did when I was a kid - I used to read a lot of 'X-Men' comic books. I read a couple 'Scott Pilgrim' this past year, and those are really good, but I don't read in general, unfortunately.
I think that in general - well, at least it's true for me - you tend to put something of yourself into the story as a whole. Not necessarily in any character, you understand. But you've got your own way of looking at the world, and that naturally will affect how you craft a story.
YI think what's cool about 'Scott Pilgrim' is that it shows that there is a superhero within all of us. There's not one ideal image of what a superhero looks like, and you don't really see that until the end of the film.
I'm not writing necessarily for an audience. I think about the audience at the end, once I have a complete book. But, when I'm writing it, I really need to feel like I'm learning, and I'm investigating something that I'm personally interested in.
I didn't expect 'Scott Pilgrim' to be successful. I just made this weird comic to entertain my friends.
I would distinguish between a visitor and a pilgrim: both will come to a place and go away again, but a visitor arrives, a pilgrim is restored. A visitor passes through a place; the place passes through the pilgrim.
When I was in the middle of the 'Scott Pilgrim' series, and it was slowly becoming more popular, though still not financially solvent, I had this real bratty instinct to turn around and do something super arty and dark. I felt dismissed by comics culture, stuck in between the artcomix world and the nerdcomix world, and I was cranky about it.
I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will write for one, because you have to give the listener something and he has to make an effort in order to understand certain things.
I think, in general, straight actors should be able to play queer roles just as much as queer actors should be able to play straight roles. I think the reason why the debate is there is because we haven't had enough queer actors being cast in anything. People are in need of that representation in general.
You kinda say, 'Well, straight people don't have to come out.' I understand now that's not necessarily the right way to look at it.
We need more extreme movies in Sweden. Personal projects that are necessarily made for a bigger audience. I think it creates a creative lock-up to have the audience as a goal.
We need more extreme movies in Sweden.Personal projects that are necessarily made for a bigger audience. I think it creates a creative lock-up to have the audience as a goal.
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