A Quote by Edgar Wright
Maybe directors who are more interested in realism and naturalism come from cities, where they see things on their doorstep every day. But growing up as a kid in a very pretty but ever-so-slightly boring town, where not a great deal happened, encouraged me to be more escapist, more imaginative, and more of a daydreamer.
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The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
Every morning I wake up, it's kind of like wow, I don't know what happened or how it happened, I can't put my finger on it, but I'm grateful. I'm grateful to be alive. To spend one more day with my family. One more day to make my dreams become a reality. One more day to help somebody. So the first thought on my mind is, thank you god for another day.
You must learn day by day, year by year to broaden your horizon. The more things you love, the more you are interested in, the more you enjoy, the more you are indignant about, the more you have left when anything happens.
I have more ideas than I know what to do with. I guess I'm a bit of a fantasist and a daydreamer - all sorts of things come to me during the day.
I am one of the proudest men ever born, but let me tell you frankly, it is not for myself, but on account of my ancestry. The more I have studied the past, the more I have looked back, more and more has this pride come to me, and it has given me the strength and courage of conviction, raised me up from the dust of the earth, and set me working out that great plan laid out by those great ancestors of ours.
As a kid growing up in the 1950s I became acutely aware of the changes taking place in American culture and I must say I didn't much like it. I witnessed the debasement of architecture, and I could see a decline in the quality of things like comic books and toys, things made for kids. Old things seemed to have more life, more substance, more humanity in them.
I travel all the time, but when I come back to the South, I see such progress. In a real sense, a great deal of the South has been redeemed. People feel freer, more complete, more whole, because of what happened in the movement.
I like big escapist films. It's odd because the type of comedian I am and the things I do when I'm writing and directing myself usually deal with the darker side of the human psyche and excruciating social faux pas. I often deal in taboos and the subjects I do as a stand-up are quite challenging. But my film roles have been much more fun and escapist.
I am very proud of what we have built in Spain, because it is not a traditional Formula 1 country. I think we have found passionate fans, and built up a strong culture for the sport - and things are improving every day, with more and more people getting interested.
I think I've changed more as a person and, as I change as a person, there is new added creativity. I've seen more... I've met more people, done more things with dogs, and walked on more beaches since the beginning. The more I see, the more I wanna do; and the more I do, the more I wanna see.
I think ultimately, bringing more nature back into the city is a way to deal with urban sprawl and things like that. If the cities feel a little more natural, people like to live there more rather than moving out and dividing up another piece of land that shouldn't be touched.
there is every reason to fear that the State is growing ever more powerful, more autonomous, more indifferent to its own inhabitants.
I'm intrigued more and more by complex female characters because I'm more in touch with myself. I realize how screwed up or complex I am. And I'm flattered that, little by little, more and more directors want to meet me.
Every time you show something to somebody they're going in one direction, when they see that thing you did they're going to go off track - maybe towards a direction that you think is more important. They'll be more discerning, they'll probably see things a little bit more profoundly, they'll spend more time trying to understand what's in front of them.
The best shows I've done, the writers, actors, and directors have been pretty much left alone - maybe given a little guidance to make it a little more this or more that. But the heavier the hand on the show, I find, the more troubled the show is.
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