A Quote by Edgar Wright

I guess a lot of comic-book adaptations strive for realism. Christopher Nolan is making Batman seem very real and very serious. — © Edgar Wright
I guess a lot of comic-book adaptations strive for realism. Christopher Nolan is making Batman seem very real and very serious.
I have immense respect for Christopher Nolan for taking a character called 'Batman' - taking a comic book - and making people believe in him in a real world context.
Christopher Nolan's 'Batman Begins' set the bar very high for the superhero movie, as it showed that you could get a great cast for these movies and take a real filmmaker's perspective.
A lot of recent comic book adaptations have gone two ways: either they're striving for some kind of realism, like 'Iron Man' or 'The Dark Knight,' or they're very stylised and gritty, like 'Sin City' and '300.'
I was obsessed with Batman as a kid. I did the film in part just to be near the Batmobile. But I also think [director] Christopher Nolan made a very fine, intelligent film.
The truth is at Legendary we really make movies that we want to see, and someday I'm sure that won't work but - I remember, it's obviously a completely different thing, but our first movie was Batman Begins, and there was a lot of things about Batman back then, and there was this guy named Christopher Nolan, that seemed to have worked out okay with him at the helm.
There's so much technology [in the Batman movies] that's unbelievable and seems unreal, so it's hard trying to get the audience to believe that it all exists. So we got Morgan Freeman to tell them that it's real. And that is why Christopher Nolan is a genius.
Christopher Nolan's astounding third Batman feature, 'The Dark Knight Rises,' represents the true maturation of the superhero movie - and provides the key to understanding the bottomless craving moviegoers have for these films, 34 years after the Christopher Reeve Superman gave birth to the genre.
I'm very pessimistic about adaptations from one medium to another. I've got a very kind of primitive, Puritan view of it. I tend to think that if something was derived for one medium, then there's no real immediate reason to think that it's necessarily going to be as good or better if adapted into another one. There have been very good stage plays that have made some very good films. But there are not so many differences between the theater and the cinema as there are between the cinema and, say, reading a book or reading a comic.
Making comic adaptations means making a lot of choices - you need to adjust the pacing, the dialogue, and in this case, a lot of the cultural references.
I always loved Batman, the Michael Keaton 'Batman.' I loved those films, and Superman, but I was never a real comic book geek.
The curse of comic book adaptations, when I was younger, was that the director or producer would go, "Don't worry about it, it's just a comic book."
[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.
Chris [Nolan] comes at this with such a different take on Batman, so I didn't feel that I had to be true to any other actor playing this role. Of course, I read the comic books. His relationships with Lt. Gordon and with Batman, with Gotham City, those really helped me the most.
I'm a Christopher Nolan fiend. I love 'Inception,' 'Interstellar,' 'The Prestige,' 'Memento' and of course the Batman trilogy. I love all his movies.
For me, Iris West was traditionally white in the comic books. So, you know, comic book fans are very opinionated, very vocal. So it was very scary stepping into that role when I started the show.
Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.
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