I love 'Airplane,' the 'Naked Gun' films; everything the Zucker brothers have done is just awesome.
The thing about the Russian secret police and the Soviet secret police is that one never leaves the secret police. Once a KGB man, always a KGB man.
Mel Brooks and David Zucker - there are very few people who know silly, and they're usually hugely intelligent, because you have to be intelligent to get it. Like the Marx brothers. I love it.
Poland didn't experience a groundbreaking moment in 1989. We didn't storm the secret police building. The squads of secret police, with all their political baggage, remained unscathed.
I enjoy making films and some experiences are better than others. Most of the time they're great experiences... but turning up to go to work on this every day was an absolute pleasure and that comes from the top.
I'm not in those top secret meetings, nor would it be appropriate - the president can't tell me what's hap - what's being said in a top secret meeting unless I have top secret clearance. I will eventually be in those meetings.
I love 'Airplane,' and I love 'Naked Gun' and all those films, where you're parodying.
I never thought that my creation, would allow brothers to kill brothers. (after seeing his invention being used in war, The Airplane) Alberto Santos-Dumont
'Scary Movie' was a different type of comedy than I'm used to. I've mostly done sitcoms, so working with David Zucker, who wrote the film and who directed the last two 'Scary Movie's and 'Airplane' and 'Naked Gun,' was a lot of help.
Russia spends enormous, senseless amounts of money on the army and the police. We have one of the top rankings in the world when it comes to the number of police officers - but when it comes to the number of murders, we are also right at the top.
... my daughter McKenna thought I sang with the Everly Brothers ... I said, 'no I was one of the Righteous Brothers' and she said 'didn't they invent the airplane?'
'Fargo' definitely makes it into my top three favorite films of all time; I have a serious obsession with the Coen brothers.
STRAUSS:Have you ever thought about putting those experiences into a book? RICHIE:I did decide to write about what i experienced in climbing to the top. And finally when I got there, I discovered what was at the top.You know what was there? STRAUSS: No, I don't. RICHIE: Nothing. Not one thing. What was at the top was all the experiences that you had to get there.
In constructing our narratives, we identify which particular events or experiences were formative or transformative. In telling our stories, we also claim some authority over our own experiences and their meanings.
I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.
I am extremely eclectic in choosing my films as an audience, and as a direct result of that, I love exploring, I love cinema, and I love learning from different experiences.