A Quote by Edgar Wright
We got offers to make sequels to both 'Shaun of the Dead' and 'Hot Fuzz,' and they never really interested us because we like having these endings where it seems very final but could hint at some kind of future adventure that you'll never see.
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I'm very happy with the response for everything I've done, but, you know, sometimes you get things like, 'Oh, 'Spaced' Series One wasn't as good as 'Spaced' Series Two.' Or 'Shaun of the Dead' is not as good as 'Spaced,' or, 'Hot Fuzz' is not as good as 'Shaun.' Or, now, 'The World's End' is not 'Shaun of the Dead.'
Even though I didn't write 'Shaun Of The Dead' and 'Hot Fuzz,' I never felt left out of the creative process.
The problem with Hot Fuzz and Shaun of the Dead is that they worked brilliantly in the UK, the US, and Australia; internationally they haven't worked so well because people don't know the films as well as in the English speaking languages. So when it comes to putting the budgets together it's quite challenging. So those are the problems you have.
The costume designer, her name is Anne Hardinge. She's done "Shaun of the Dead" and "Hot Fuzz." She's really comedic costume designer, which was right up my alley. She was a joy to work with. She was like fabulous Geena Davis. She was just floating with her red lip and kind of fabulous.
What 'Shaun of the Dead' and 'Hot Fuzz' and 'World's End' do is smuggle a different movie under the guise of a zombie movie or a cop or alien invasion movie. Even though they all have action and carnage, they are really films about growing up and taking responsibility.
Even when I was young I wanted to be an actress. I knew the actors and the paparazzi. It was just kind of always in my landscape. It was never directed at me, but it was always somewhere so I could see how it operated and I could see it from afar and go 'Wow, that's not really glamorous, it's kind of exhausting not having any privacy.' So it was never something I pursued. The first time I saw the billboard for Pretty Little Liars I almost got into a car accident!
I’ve never felt like I’ve exactly traded on my looks. When I was a teenager, I was an ultra-late bloomer, and my mom would say it was a blessing, because it means you never have to wonder if guys are only interested in you because you’ve got boobs. I would have been thrilled if guys were interested in me because of my boobs! Similarly, I think I’m lucky that I’ve never had a crisis about whether the only reason I’m successful is because I’m crazy hot. It’s not something that crosses my mind.
I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.
Growing up, we never got to see a hero who didn't have superpowers who looked like us, that you could kind of look to and say, 'I could be that guy one day. I could be a patriot. I could be a soldier. I could work in the government and be a hero.'
I found, after the experience of making 'Shaun Of The Dead' and then returning to the blank page - because 'Shaun Of The Dead' was the first screenplay I ever wrote properly - the experience of returning to the blank page and having nothing in the drawer was intensely painful.
The Byzantines hammered away at their hard and orthodox symbols, because they could not be in a mood to believe that men could take a hint. The moderns drag out into lengths and reels of extravagance their new orthodoxy of being unorthodox, because they also cannot give a hint -- or take a hint. Yet all perfect and well-poised art is really a hint.
My first job was actually as a social worker. And then later, I got my PhD in anthropology. And I've always been interested in humans as well as primates. We are all kind of have the same emotions, the same goals and lives really. But to me, when I first got to Madagascar I realized that the lemurs lives are very closely related to what the humans are doing; partially because they've got both looking for natural resources. And if we can make some way that both humans and lemurs can live together peaceably and happily, that would be my goal for Madagascar.
Daniel Day-Lewis is particularly a sort of beacon I've been following for some time. For God's sake, I'm not even in his league but he inspires me because he's not interested in playing himself; he's only interested in playing other people and the whole thing is like an adventure for him, it seems to me. It's some kind of spiritual exploration, which is an amazing, noble thing.
That's right... I never felt a sense of superiority because I could see spirits. And I never once thought that I could make a living or help someone with it. I just longed for a life where I couldn't see them. And I finally got what I always wanted.
I never lied to you. (Kiara) Of course you did –you said you could see the real us– that we weren’t as bad as we claimed. But you didn’t and, just like everyone else, so long as we risk our lives to protect and save you, we’re okay. But the moment we have to make a choice not ours, the moment you see what our pasts have made us, you’re horrified by the truth and hate us for it like we had some kind of choice in what we are. (Syn)
I don't think there is such a thing as as a real prophet. You can never predict the future. We know why now, of course; chaos theory, which I got very interested in, shows you can never predict the future.
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