A Quote by Edie Campbell

I think Stella Tennant is amazing. And then I really loved all those 60s society models, like Edie Sedgwick. — © Edie Campbell
I think Stella Tennant is amazing. And then I really loved all those 60s society models, like Edie Sedgwick.
I think Stella Tennant is amazing. And then I really loved all those '60s society models, like Edie Sedgwick.
I think Edie Sedgwick comes back, too. Every five or six years, there is always something about Edie, because she was so modern and stylish and elegant and hippie-ish, all at the same time. So I think that people will always love her.
My two style icons are Edie Sedgwick and Brigitte Bardot.
Edie Sedgwick had a cool style; she pushed the envelope for the time.
My style is Edie Sedgwick meets Grace Jones, or Audrey Hepburn meets Salt 'n' Pepa. Strong and feisty but still classic.
I've been making a diary of the daft things people have said during London Fashion Week, and it does wear a little bit thin, everyone comparing my name to Edie Sedgwick.
I love so much the models from the '60s and the '70s. They were extremely professional, great models who knew how to work the camera so well and loved fashion and had a great sense of style.
I was always looking at Helmut Newton photos with the Le Smoking suit and Stella Tennant in Self Service magazine. It was never just about an ultrafeminine woman for me.
I think the most note-worthy part is that Stella [Mozgawa] had joined the band two weeks before we started recording, so that really influenced the way that the album was recorded. It was really important for Stella and Jen[ny Lee Lindberg] to lay down the drums and bass first for most songs, because they were determining how they needed to lock in together, and Stella was still kind of learning and figuring out her parts.
What I think is so amazing about having everything, and feeling like I have everything, is that I don't really find happiness within materialistic things. Like, it's cool if I can buy myself a new car, and I think it's amazing for a week, but then the thrill is over, and I'm like, 'Oh, so I guess that wasn't really happiness.'
There's more empathetic representations than we're used to seeing. I honestly feel like in the early days of Hollywood, women did have those. Women had very traditional roles in society of wife and mother, but when they went to the movies, they got to see women be, like, really cool, amazing characters and femme fatales and all of this. And then there was just this systemic reaction where it was all about, "How do we make money?" And everybody wants to sell things to boys. And then women's entertainment became devalued in a way that I think is disrespectful and hurtful.
The Medical Society of Sedgwick County, the Kansas Hospital Association and doctors have really done some remarkable work on wellness-related issues.
I met Tom Baker doing a voice-over when David [Arabella's friend, David Tennant] wasn't at all well known. We were doing this voice-over together and I said to Tom, 'Oh, my friend's a really, really big Doctor Who fan,' and he replied, 'Wait!' He got his cheque book out and asked, 'What his name?' I said 'David Tennant'. He wrote, 'To David Tennant, seventeen pounds forty five', signed it and I asked him what it meant. He said, 'He'll know'
We came from the '60s era, when we started and made so many hits. The song value from the '60s was so darn good, you've got The Beatles, The Beach Boys, all of Motown, and plenty of other people, too... amazing records, amazing songs.
I have roles in plays that I hope that I'll be able to do one day. I might be doing them at, like, the East Wilton Playhouse in wherever. But I think that Edie Falco... to get something even resembling her type of roles, that would be amazing.
You think you have the most amazing life by having your dreams come true as a musician and marrying the woman of your dreams. But then you add a lil' baby girl... to the mix, and it's like you've never really lived and loved until she was here.
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