A Quote by Edie Campbell
I'd like to work with horses, but it doesn't pay very well. Maybe I'd like to go somewhere in the Middle East because they keep buying really nice horses for their Olympic teams - like, the Qataris.
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I like to take folks back to the turn of the century when people said 'gas cars can never replace horses because you can feed horses at your house, you get along with them, they're nice.'
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
Harry is heavily into camping, and every year in the late fall, he makes us all go to Assateague, which is an island on the Atlantic Ocean famous for its wild horses. I realize that the concept of wild horses probably stirs romantic notions in many of you, but this is because you have never met any wild horses in person. In person, they are like enormous hooved rats. They amble up to your camp site, and their attitude is: We're wild horses. We're going to eat your food, knock down your tent and poop on your shoes. We're protected by federal law, just like Richard Nixon.
I raise quarter horses. Mine are mostly thoroughbred cross horses, a little bigger horses than some people like. I sell them or use them on the ranch. A lot of them go to the rodeo arena and some of them go to racetracks.
I have absolutely no empathy for camels. I didn't care for being abused in the Middle East by those horrible, horrible, horrible creatures. They don't like people. It's not at all like the relationship between horses and humans.
But if cattle and horses or lions had hands, or were able to draw with their hands and do the work that men can do, horses would draw the forms of the gods like horses, and cattle like cattle, and they would make their bodies such as they each had themselves.
Not all horses are going to be show jumpers, not all horses are going to be dressage horses. So you have to sort of find where the horse physically fits into what might suit him, but all horses can be comfortable and all horses can have good, solid fundamentals.
If you have it, it is for life. It is a disease for which there is no cure. You will go on riding even after they have to haul you on a comfortable wise old cob, with feet like inverted buckets and a back like a fireside chair... when I can't ride anymore, I shall still keep horses as long as I can hobble about with a bucket and a wheelbarrow. When I can't hobble, I shall roll my wheelchair out to the fence of the field where my horses graze, and watch them.
People think just because I'm from the Middle East, I'm an expert on the Middle East. So, like, I got a friend, like, any time the gas prices go up, he'll always ask my opinion about it.
Ethiopians imagine their gods as black and snub-nosed; Thracians blue-eyed and red-haired. But if horses or lions had hands, or could draw and fashion works as men do, horses would draw the gods shaped like horses and lions like lions, making the gods resemble themselves.
Horses are like people - they have different personalities. They can be nice, friendly and hard-working, or awkward, difficult and lazy. If horses were people, some would be on the dole, and others would be entrepreneurs.
If cattle and horses, or lions, had hands, or were able to draw with their feet and produce the works which men do, horses would draw the forms of gods like horses, and cattle like cattle, and they would make the gods' bodies the same shape as their own.
I think nervousness - a heightened sense of nerves and attention is a very healthy thing for a performer. It is an artificial environment that you are going into whether it's concert or recital, or stage. When I know something so well, I've done it so often, and you kind of walk out for Tuesday night's performance, or you feel like that, that makes me more nervous then being geared up. A little bit like race horses. In the same way that the horses are always difficult to get into that lineup, the worst time of my life is the 10 or 15 minutes before I go on stage.
If a man doesn't like baseball, then he must like horses, and if he doesn't like either of them, well, I'm in trouble anyway: he don't like girls.
Americans like buying American vs. buying from Chavez or buying from the Middle East.
My work is not so overtly about movement. My horses' gestures are really quite quiet, because real horses move so much better than I could pretend to make things move. For the pieces I make, the gesture is really more within the body, it's like an internalized gesture, which is more about the content, the state of mind or of being at a given instant. And so it's more like a painting...the gesture and the movement is all pretty much contained within the body.
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