A Quote by Edmund Morgan
I made a point of always teaching undergraduates because they are not a captive audience. . . . I always tried out my research ideas first in the classroom to get feedback from people who didn't have to listen to me if I didn't make it interesting.
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I've always dabbled. I've always nearly written a book, I've always tried painting, I've always tried to make something out of ideas, really. It was never a plan. I never thought, "Right. First I'll get famous, and then I'll do a book.
It's great to be able to play the bad guy role because you always get a lot to do, but I'm always looking at the why. How does a person get to that particular point? It's those little cogs in the wheel that make it interesting for me to play. Ultimately, I hope for the audience to be engaged with it because it is going to take a turn.
I like confounding expectations. I can expand what it is I am able to do, and hopefully get to do more weird, interesting projects like this. There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone. And how the audience perceives that... It's out of my hands. And I don't get that frustrated by it, because I'm on to the next thing at that point.
You listen to the audience. The audience is wrong individually and always right collectively. If they don't laugh, it isn't funny. If they cough, it isn't interesting. If they walk out, you are in trouble.
I always tried to make people laugh. I attribute that to - I come from a family of divorce. It was a way to distract myself from stuff. I always thought it was interesting that my brother and I existed in this really tight bond, and we would just take the piss out of pretty much everything. I knew I wanted to be an actor so it would be great if I could make people laugh while I was doing this, because I could be other characters and other people, and I could hide behind things. It was a great out for me, and a mode of expression.
It is never too late, no matter how old you get because anytime or any point in your life you can always have a chance to make a difference. You can always make a change for the better no matter what background you derived from. You can always do your best and be all that you can be because you will always be uniquely you. It is why it is always wise to listen to your eternal heart, your eternal instincts, and what it had always strove for and/or to do because really anybody can make a difference not only in their own lives but in the lives of others. It is never too late to shine; never.
My natural body weight is about 183 pounds. I've just always tried to keep 10 pounds of muscle on me because the bigger you were before, the more money you made. I always tried to cut at least five pounds to get to 185.
I listen to anything anyone gives me. I always go back to a few basic favorites. I can always listen to Django Reinhardt and hear something I haven't heard before. I like to listen to Art Tatum and Coltrane and Charlie Parker. Those are guys who never seem to run out of ideas.
I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.
Always make it a goal to keep your conversations cordial. Sometimes that will not be possible. If a principled, charitable expression of your ideas makes someone mad, there’s little you can do about it. Jesus’ teaching made some people furious. Just make sure it’s your ideas that offend and not you, that your beliefs cause the dispute and not your behavior.
But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.
The nature of making music and making art, what motivates me is that it's interesting. It's interesting to listen, to really listen to other people's point-of-view. Take in their work. Listen to the way they sing. Listen to the way they write lyrics. What they are trying to express.
When you're filming any show off a live audience, you get a feedback straightaway about how it's going, and the audience always enjoyed it.
I've always wondered if people who block each other from expressing their opinions do so because they have so little confidence in their own. To me, encountering an opposing point of view is a chance to gain a deeper understanding of the issues at stake and develop my own point of view. But the first thing you've got to do is you've got to let people speak and you've got to listen. And that's what the first amendment is all about. That's what really distinguishes this country from others.
Also, when we did "Smallville," we didn't have an opportunity to interact with people who watched the show. And see what they had to say and listen to criticism and listen to praise at the same time. So a lot of this is a new experience and it's very interesting and rewarding for us. I think we get honest feedback. You get hate. You get a lot of love as well. And I'm actually very curious what people think of the show. For us, it's been a passion project of ours, and an incredibly challenging show to make.
The poor are always prophetic. As true prophets always point out, they reveal God's design. That is why we should take time to listen to them. And that means staying near them, because they speak quietly and infrequently; they are afraid to speak out, they lack confidence in themselves because they have been broken and oppressed. But if we listen to them, they will bring us back to the essential.
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