A Quote by Edward Albee
In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.
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I’m infinitely more involved in the reality of the characters and their situation than I am in everyday life.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history.
Listen, first of all, my wife is my best friend. My love for her is deeper than anything. The reality is, I'm not involved, I wasn't involved and I'm not going to be involved. Am I concerned for both of them Sure there's concern from me. I'm more worried about them than me. I'm like you guys, I'm trying to figure it all out.
The American citizen lives in a world where fantasy is more real than reality, where the image has more dignity than its original. We hardly dare face our bewilderment, because our ambiguous experience is so pleasantly irridescent, and the solace of belief in contrived reality is so thoroughly real. We have become eager accessories to the great hoaxes of the age. These are the hoaxes we play on ourselves.
When you are dealing with something that's crazy, you still want actors to play characters and find the reality of the situation, no matter how absurd the situation is.
... my father loved to take photographs of me. When I was nine I made my own costumes for a school play and I experienced becoming different characters. I loved to document myself as different images and I think my work evolved after this favorite activity. The photographs I exhibited in New York juxtaposed reality and fantasy. There was everyday life and fantasy was dismantling that reality.
These new technologies try to make virtual reality more powerful than actual reality, which is the true accident. The day when virtual reality becomes more powerful than reality will be the day of the big accident. Mankind never experienced such an extraordinary accident.
Photography does deal with 'truth' or a kind of superficial reality better than any of the other arts, but it never questions the nature of reality - it simply reproduces reality. And what good is that when the things of real value in life are invisible?
Digital technology, you see, is not the villain here. It simply offers another dimension. I'm not sure if it's a farther remove from reality than analogue. I think if we can speak of reality, if reality and representation can be spoken of in the same sentence, if reality even exists any more, digital is simply another way of encoding that reality.
GOOD AS NEW was born out of the idea of writing a play where the stakes were high and the collisions were of a verbal nature. Also I wanted to write a play where people were smarter than I was, and more alive than I feel normally. I became interested in the idea of characters who would surprise me. I guess one could argue that nothing comes out of you that wasn't within you to begin with, but maybe there are ways to trick yourself into becoming more an observer or an advocate for the characters.
Movies, more than anything I can think of, are a great escape from reality. My reality, in particular, needs escaping.
My images were surreal simply in the sense that my vision brought out the fantastic dimension of reality. My only aim was to express reality, for there is nothing more surreal than reality itself. If reality fails to fill us with wonder, it is because we have fallen into the habit of seeing it as ordinary.
I've always really liked theater. It fascinated me. You can create a reality and get people involved in that reality. It takes place in real time.
I think the fantasy of being a movie star is more powerful than the reality. So, for me, even if it's not a great film or a great play I'm doing, to know that you went for it. You had an experience that made you grow artistically and personally. What's really satisfying is knowing that you did a good job.
Actors go into it because it gives us the chance to play people a great deal more interesting than we are, and to say things infinitely wittier and more intelligent than anything we could think of.
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