A Quote by Edward Bulwer-Lytton, 1st Baron Lytton

Imitation, if noble and general, insures the best hope of originality. — © Edward Bulwer-Lytton, 1st Baron Lytton
Imitation, if noble and general, insures the best hope of originality.
It is altogether an extraordinary growing, swarming, glittering, pushing, chattering, good-natured, cosmopolitan place, and perhaps in some ways the best imitation of Paris that can be found (with a great originality of its own).
A good imitation is the most perfect originality
It is better to fail in originality than to succeed in imitation.
Originality is nothing but judicious imitation. The most original writers borrowed one from another.
When I came up, it was all about originality and collective research. There is an awful lot of imitation going on now.
It is better to fail in originality, than to succeed in imitation. He who has never failed somewhere, that man can not be great. Failure is the true test of greatness.
As not every instance of similitude can be considered as a proof of imitation, so not every imitation ought to be stigmatised as plagiarism. The adoption of a noble sentiment, or the insertion of a borrowed ornament, may sometimes display so much judgment as will almost compensate for invention; and an inferior genius may, without any imputation of servility, pursue the paths of the ancients, provided he declines to tread in their footsteps.
The bad teacher imposes his ideas and his methods on his pupils, and such originality as they may have is lost in the second-rate art of imitation.
I propose not our enemies as an example for our general imitation, yet, as their navy is the best regulated of any in the world, we must, in some degree, imitate them and aim at such farther improvement as may one day make ours vie with - and exceed - theirs.
I think fashion today is horrible. Just open your eyes and look! What's good about it? There's no originality. Here and there, there is, but in general, en masse, there's very little creativity and very little originality. It's kind of boring. Everybody looks alike. Everybody seems to strive to look alike.
Every man has a specific skill, whether it is discovered or not, that more readily and naturally comes to him than it would to another, and his own should be sought and polished. He excels best in his niche - originality loses its authenticity in one's efforts to obtain originality.
In general, of course, a stranger who tries to get you into an automobile is anything but noble, and in general a person who quotes great American novelists is anything but treacherous, and in general a man who says you needn't worry about money, or a man who smokes cigarettes, is somewhere in between.
Noble life demands a noble architecture for noble uses of noble men. Lack of culture means what it has always meant: ignoble civilization and therefore imminent downfall.
If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves. The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Br?nnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.
Gender is a kind of imitation for which there is no original; in fact, it is a kind of imitation that produces the very notion of the original as an effect and consequence of the imitation itself.
Nothing is bigger than life. There's nothing noble in death. What's noble about never seeing the sunshine again? What's noble about having your legs and arms blown off? What's noble about being an idiot? What's noble about being blind and deaf and dumb? What's noble about being dead?
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