A Quote by Edward Gibbon

In a distant age and climate, the tragic scene of the death of Hosein will awaken the sympathy of the coldest reader. — © Edward Gibbon
In a distant age and climate, the tragic scene of the death of Hosein will awaken the sympathy of the coldest reader.
Earth has cooled since 1998 in defiance of the predictions by the UN-IPCC....The global temperature for 2007 was the coldest in a decade and the coldest of the millennium...which is why 'global warming' is now called 'climate change.'
Such exceptional suffering and calamity, then, affecting the hero, and-we must now add-generally extending far and wide beyond him, so as to make the whole scene a scene of woe, are an essential ingredient in tragedy and a chief source of the tragic emotions, and especially of pity. But the proportions of this ingredient, and the direction taken by tragic pity, will naturally vary greatly.
It's fun to figure out a way to make something happen that will get the reader involved on a visceral level. When written well, an exciting scene on the page will actually have a physical effect on the reader - your heart will beat faster, your adrenaline will start to flow.
Justice must be done in investigating the tragic death of Mr. Freddie Gray. His family deserves our deepest sympathy and respect for their loss, and our admiration for their courage in calling us, as a city, to act as our better selves.
Life and death are of supreme importance. Time swiftly passes by and opportunity is lost. Each of us should strive to awaken. Awaken. Take heed, do not squander your life.
The American people want something terse, forcible, picturesque, striking - something that will arrest their attention, enlist their sympathy, arouse their indignation, stimulate their imagination, convince their reason, awaken their conscience.
Either we stand united and agree to combat climate change or we will all stumble and fall and condemn humanity to a tragic future.
You need to have a reader's sympathy in order to accomplish anything. It's like at a reading, I find it's better to read something funny than to read something tragic. It just goes over better because you have a finite amount of time with somebody. Of course, in a book, you have a lot of time. But you still do want to make a certain impression right when you begin.
An age is the reversal of an age: When strangers murdered Emmet, Fitzgerald, Tone, We lived like men that watch a painted stage. What matter for the scene, the scene once gone: It had not touched our lives.
Climate change is not a distant problem. It's involved in all of our lives through the stuff that we use, buy and eat - which is not to say that individuals like you and me are responsible for climate change.
I've done quite a lot of dying on shows and in movies. To have a good death scene though - come on, it's brilliant. I love a good death scene!
Certain things can't be approximated, so I'm always interested in getting in another way, one which makes the reader bend in closer to the scene even if that scene, especially if that scene, is painful... Brutal language isn't necessarily the most truthful way of describing a brutal moment.
Our sympathy is cold to the relation of distant misery.
Before you can become a writer, you have to be a reader, and a reader of everything, at that. To the best of my recollection, I became a reader at the age of 10 and have never stopped. Like many authors, I read all sorts of books all the time, and it is amazing how the mind fills up.
Awaken and rejoice. Awaken and be alive. Awaken to the possibility of being fulfilled.
It is no use describing a house; the reader will fix the scene in some spot he knows himself.
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