A Quote by Edward Gibbon

The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise. — © Edward Gibbon
The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.
Generally speaking, an author's style is a faithful copy of his mind. If you would write a lucid style, let there first be light in your own mind; and if you would write a grand style, you ought to have a grand character.
The language of the moment or, as it were, the language of the order in which we live, is the image. I felt that if I wanted to commune with the public, I should best do so through the language of image. It's a conscious embrace of a contradiction.
An author arrives at a good style when his language performs what is required of it without shyness.
When an author is too meticulous about his style, you may presume that his mind is frivolous and his content flimsy.
The style of an author is a faithful copy of his mind.
After all, it is style alone by which posterity will judge of a great work, for an author can have nothing truly his own but his style.
The Physician, by the study and inspection of urine and ordure, approves himself in the science; and in like sort should our author accustom and exercise his imagination upon the dregs of nature.
No man must encroach upon my province, nor I upon his. He may advise me, moderately and without pertinaciousness, but he must not expect to dictate to me. He may censure me freely and without reserve; but he should remember that I am to act by my deliberation and not his. I ought to exercise my talents for the benefit of others; but that exercise must be the fruit of my own conviction; no man must attempt to press me into the service.
God did not create woman from man’s head, that he should command her, nor from his feet, that she should be his slave, but rather from his side, that she should be near his heart.
You should never employ your intellect but only that it is not essential to exercise it in order to live a humane life. Language permeates all of life, of course, and one's mind is essential to it, but that does not mean intellectuality should transcend all of life.
Language is properly the servant of thought, but not unfrequently becomes its master. The conceptions of a feeble writer are greatly modified by his style; a man of vigorous powers makes his style bend to his conceptions.
The future author is one who discovers that language, the exploration and manipulation of the resources of language, will serve him in winning through to his way.
Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.
Every man builds his world in his own image; he has the power to choose, but no power to escape the necessity of choice. If he abdicates his power, he abdicates the status of man, and the grinding chaos of the irrational is what he achieves as his sphere of existence—by his own choice.
The test of faith is whether I can make space for difference. Can I recognize God's image in someone who is not in my image, who language, faith, ideal, are different from mine? If I cannot, then I have made God in my image instead of allowing him to remake me in his.
An author can have nothing truly his own but his style.
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